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Literary-Criticism  Quotes
Later on in Culture and Society, Williams scores a few points by reprinting some absolutist sentences that, taken on their own, represent exaggerations or generalisations. It was a strength and weakness of Orwell’s polemical journalism...

—Christopher Hitchens

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George-OrwellLiterary-CriticismRaymond-Williams
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Reading Mrs Gaskell’s Life of Charlotte Brontë after Jane Eyre is a curious experience. The subject of the biography is recognisably the same person who wrote the novel, but the effect of the two books...

—Ian Gregor

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You sometimes hear people say, with a certain pride in their clerical resistance to the myth, that the nineteenth century really ended not in 1900 but in 1914. But there are different ways of measuring...

—Frank Kermode

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I can no longer think what I want to think. My thoughts have been replaced by moving images.

—Georges Duhamel

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Most critics agree with the seventeenth-century printer who gave them to the world, that the Mutabilitie Cantos seem to be part of some following book of The Faerie Queene.

—Janet Spens

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He was more aware than is usually admitted of the Freudian implications in the novel, and the note of ambiguity could have insinuated itself at least as a partial effort to conceal the radical thesis...

—John E. Stoll

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What are American dry-goods? asked the duchess, raising her large hands in wonder and accentuating the verb.American novels, answered Lord Henry.

—Oscar Wilde

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Johnson’s later life, from 1763, is among the best documented of all literary lives. James Boswell gave himself the enormous task, after Johnson’s death in 1784, of producing what is now held to be a...

—Ronald Carter

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There is a vast expanse of time before the Norman Conquest in 1066, from which fragments of literary texts remain, although these fragments make quite a substantial body of work. If we consider that the...

—Ronald Carter

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Nearly all our older poetry was written and read by men to whom the distinction between poetry and rhetoric, in its modern form, would have been meaningless. The ‘beauties’ which they chiefly regarded in every...

—C.S. Lewis

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About some books we feel that our reluctance to return to them is the true measure of our admiration. It is hard to suppose that many people go back, from a spontaneous desire, to reread...

—Irving Howe

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1984Franz-KafkaGeorge-Orwell
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Literature is news which stays news.

—Ezra Pound

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Literary-CriticismPoetry
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For Aristotle the literary plot was analogous to the plot of the world in that both were eductions from the potency of matter. Sartre denies this for the world, and specifically denies, in the passage...

—Frank Kermode

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The 1990s to the present: feminism, historicism,postcolonialism, ethicsThere has never been a better time to study Virginia Woolf. Woolf studies, in the 1990s and in the new millennium, has continued to flourish and diversifyin all...

—Jane Goldman

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An important dimension of Tess of the d’Urbervilles is its debt to the oral tradition; to stories about wronged milkmaids, tales of superstition, and stories of love, betrayal and revenge, involving stock figures. This gives...

—Geoffrey Harvey

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I would have died, before a literary agent ever committed to my book. This is why I chose to empower myself by self publishing.

—Mary Sage

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BookLiterary-CriticismQuery-Letters
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Montag, os velhos que ficam em casa, receosos, cuidando de seus ossos quebradiços como casca de amendoim, não têm nenhum direito de criticar.

—Ray Bradbury

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DistopicLiterary-CriticismLiterary-Fiction
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In the eighteenth century, with the growth of publishing and with the intellectual climate of the Enlightenment, there was a great demand for new historical writing. The greatest product of this was The Decline and...

—Ronald Carter

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However, Hardy’s relationship with nature is a dialectical one. While he indicates that he recognizes how human perception shapes nature, he nevertheless accepts nature as possessed of its own agency, as working through its cycle...

—Shirley A.

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What Shelley’s world of Prometheus Unbound really has to fear is not resurrection of Jupiter but the resurrection of John Donne.

—Cleanth Brooks

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If a writer has to find a rhythm if his novel is to come ‘right’, a rhythm which he may well discover in the rhythm of an individual sentence, then likewise a reader has to...

—Ian Gregor

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Dark influences from the American past congregate among us still. If we are a democracy, what are we to make of the palpable elements of plutocracy, oligarchy, and mounting theocracy that rule our state? How...

—Harold Bloom

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Bohr is really doing what the Stoic allegorists did to close the gap between their world and Homer’s, or what St. Augustine did when he explained, against the evidence, the concord of the canonical scriptures....

—Frank Kermode

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In 1922 Woolf met the writer Vita Sackville-West, who was to join Vanessa Bell and Leonard Woolf as the most significant people in her life.

—Jane Goldman

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The Bible is not interested in arguing, because if you state a thesis of belief you have already stated it’s opposite; if you say, I believe in God, you have already suggested the possibility of...

—Northrop Frye

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Literary-CriticismPoetic-TheoryWorld-Culture
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Most of the makers of the twentieth-century mind, figures such as Freud, Heisenberg, Picasso, Joyce, and Eliot, have in common an about-face on the subject-object question and the mindmatter question; they all reject the dualism...

—Jewel Spears

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…reduction is precisely what a work of art opposes. Easy answers…annotations, arrows…an oudine of its design…very seriously mislead.

—William H.

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American-WritersLiterary-CriticismThe-Recognitions
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At the end of the 1400s, the world changed. Two key dates can mark the beginning of modern times. In 1485, the Wars of the Roses came to an end, and, following the invention of...

—Ronald Carter

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No, I wasn’t trying to make Nat Turner look stupid. I was trying to make him more human. More like me. Angry, impotent, confused about his own sexuality. Wait a minute, that didn’t come out...

—William Styron

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Making another effort to be paradoxical, Williams decides to identify Orwell as an instance of ‘the paradox of the exile’. This, which he also identified with D. H. Lawrence, constituted an actual ‘tradition’, which, in...

—Christopher Hitchens

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George-OrwellLiterary-CriticismRaymond-Williams
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t this point I would like to return to the question of the plot movement and the different narrative levels of the book. David Lodge raises a crucial issue when he asks ‘how Charlotte Brontë...

—Ian Gregor

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I hope I have now made it clear why I thought it best, in speaking of the dissonances between fiction and reality in our own time, to concentrate on Sartre. His hesitations, retractations, inconsistencies, all...

—Frank Kermode

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Woolf ’s control over the production of her own work is a significant factor in her genesis as a writer. The Hogarth Press became an important and influential publishing house in the decades that followed....

—Jane Goldman

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Now the twelfth canto of Book II is an almost literal translation from Tasso description in the Jerusalem Delivered of the island of Armida. That poem was not printed till 1582. It is likely enough...

—Janet Spens

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In the context of Lawrence’s rejection of the Freudian notion of incest and the close identification between author and character, Sons and Lovers becomes an exercise in deliberate ambiguity.

—John E. Stoll

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The critic will certainly be an interpreter, but he will not treat Art as a riddling Sphinx, whose shallow secret may be guessed and revealed by one whose feet are wounded and who knows not...

—Oscar Wilde

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Art-CriticismLiterary-Criticism
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The Restoration did not so much restore as replace. In restoring the monarchy with King Charles II, it replaced Cromwell’s Commonwealth and its Puritan ethos with an almost powerless monarch whose tastes had been formed...

—Ronald Carter

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Beowulf stands out as a poem which makes extensive use of this kind of figurative language. There are over one thousand compounds in the poem, totalling one-third of all the words in the text. Many...

—Ronald Carter

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What is vital and healthy does not necessarily survive… An art, a whole civilization, may at any time slip through men’s fingers in a very few years and be gone beyond recovery. If we are...

—C.S. Lewis

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Above all, for his merciless, contemptuous treatment of Clifford Chatterley, blown to bits in Flanders in 1918, Lawrence can be damned to hell. Damned but not banned.

—Germaine Greer

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The artist usually sets out — or used to — to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist’s and...

—D.H. Lawrence

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Novels, says Sartre, are not life, but they owe our power upon us, as upon himself as an infant, to the fact that they are somehow like life. In life, he once remarked, ‘all ways...

—Frank Kermode

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The 1980s: feminism, postmodernism, sexual/textual politicsWhile it might be tempting to generalise that Woolf ’s writing was being discussed almost in two separate camps during the 1980s, formalists on the one hand, and feminists on...

—Jane Goldman

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Tess is not simply presented as a passive victim, however. Throughout the novel she is shown as experiencing tension between the intractable materiality of the social and economic world in which she has to live,...

—Geoffrey Harvey

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Literature should not disappear up its own asshole, so to speak.

—Kurt Vonnegut

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Literary-CriticismWriting
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If you were to stare at this box of matches, you could extract entire worlds out of it. If you search for tastes in a book, you will certainly find them because it was said:...

—Witold Gombrowicz

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Literary-CriticismTalentWriting-Philosophy
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Revolution was the great nightmare of eighteenth-century British society, and when first the American Revolution of 1776, then the French Revolution of 1789 overturned the accepted order, the United Kingdom exercised all its power so...

—Ronald Carter

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Some very eminent critics writing in the decades immediately after the novel’s publication felt that Eliot failed to maintain sufficient critical distance in her depiction of Ladislaw–that she fell in love with her own creation...

—Rebecca Mead

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Artistic-CreativityFictional-CharactersLiterary-Creation
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If you show someone something you’ve written, you give them a sharpened stake, lie down in your coffin, and say, ‘When you’re ready’.

—David Mitchell

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Literary-CriticismWriting
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Indeed, and crucially so, the serial form tookthe control of the novel away from the reader and left him in an imagined space that could not be thought of in terms of the physical space...

—Ian Gregor

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