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Geoffrey Harvey  Quotes
An important dimension of Tess of the d’Urbervilles is its debt to the oral tradition; to stories about wronged milkmaids, tales of superstition, and stories of love, betrayal and revenge, involving stock figures. This gives...

—Geoffrey Harvey

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Tess is not simply presented as a passive victim, however. Throughout the novel she is shown as experiencing tension between the intractable materiality of the social and economic world in which she has to live,...

—Geoffrey Harvey

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The setting, concerns, and mood of The Woodlanders are consonant with the Wessex of the earlier novels. There is an element of nostalgia in Hardy’s treatment of the woodlands of Little Hintock. Although such rural...

—Geoffrey Harvey

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A turning point in the criticism of Hardy’s poetry came in his centenary year, in which W. H. Auden (1940) recorded his indebtedness to Hardy for his own education in matters of poetic technique………………………In a...

—Geoffrey Harvey

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The ideology of liberal humanism found expression in the earliest reviews of Hardy’s writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential...

—Geoffrey Harvey

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The 1980s witnessed radical advances in the theorisation of the study of literature in the universities. It had begun in France in the 1960s and it made a large impact on the higher education establishments...

—Geoffrey Harvey

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Hardy classified A Pair of Blue Eyes among ‘Romances and Fantasies’. A favourite of Tennyson, its melancholy treatment of youth, love and death is expressive of late nineteenth-century susceptibilities. Not unnaturally in an early novel,...

—Geoffrey Harvey

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Hardy’s astonishing technical versatility has won the admiration of major poets from Ezra Pound and Cecil Day Lewis to Philip Larkin. Among other genres he employs the lyric, narrative, ballads, and the sonnet. He also...

—Geoffrey Harvey

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Hardy’s poetry is pre-eminently about ways of seeing. This is evident in the numerous angles of vision he employs in so many poems. Sometimes it involves creating a picture, as in ‘Snow in the Suburbs’,...

—Geoffrey Harvey

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However, for Hardy the possibility of poetry’s traditional function of transcendence remains, but in a more limited form. In Hardy’s work the poet transcends himself towards humanity, affirming the central values of loving-kindness and fellowship.

—Geoffrey Harvey

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Extremely self-conscious in its craft, in many ways The Hand of Ethelberta is an exploration of fiction as illusion, which involves parody of the conventions it employs; romance, melodrama and farce, and a rejection of...

—Geoffrey Harvey

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In his Preface to the 1892 edition of Tess of the d’Urbervilles Hardy warns the reader that ‘a novel is an impression, not an argument’. However, the text offers several explanations of Tess’s tragedy; social,...

—Geoffrey Harvey

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Literary-Criticism
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