Meanwhile it’s got stormy, the tattered fog even thicker, chasing across my path. Three people are sitting in a glassy tourist cafe between clouds and clouds, protected by glass from all sides. Since I don’t see any waiters, it crosses my mind that corpses have been sitting there for weeks, statuesque. All this time the...

Kodachrome… it gives us those nice, bright colors,gives us the greens of summers,makes ya think all the world’s a sunny day,Oh yeah!I’ve got a Nikon camera, I’d love to take a photograph,so mama don’t take…my Kodachrome away…

I do not always know what I want, but I do know what I don’t want.

Gene [Siskel] often mentioned something François Truffaut once told him: the most beautiful sight in a movie theater is to walk down to the front, turn around, and look at the light from the screen reflected on the upturned faces of the members of the audience.

I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.

There is something particularly fascinating about seeing places you know in a piece of art – be that in a film, or a photograph, or a painting.

Hidup Kita adalah Film Terbaik

Filmmaking is akin to writing on water.

There was a super-8 steel town somewhere, where all the forgotten things in the cruel world ended up eventually, Mandy was sure of it… this place, she decided, was called Smog City.

Nobody has ever taken a photograph of something they want to forget. We can build a wall of happy Kodak moments around ourselves, a wall of our Christmases, birthdays, baby showers and weddings, but we can never forget that celluloid film is see-through, that behind it, all the misery of real life waits for our...

Gökyüzüne bakar SinemacıÇocuklar! Hayaller geçiyor mu? Bütün yazılanlar, çekilecekler filmlere fragman…

Most of us are searching-consciously or unconsciously- for a degree of internal balance and harmony between ourselves and the outside world, and if we happen to become aware-like Stravinsky- of a volcano within us, we will compensate by urging restraint. By that same token, someone who bore a glacier within them might urge passionate abandon....

Titanic I thought was the most dreadful piece of work I’ve ever seen in my entire life. Another film that I think is equally bad was American Beauty. So badly acted and directed. But people like that.

Nowadays films and television are what I like to call “Microwave Media”. I like mine in the oven, giving the production time to simmer; get the juices flowing, and cooked to perfection. And that takes time. Slow, precious, tempered time. A script is a film’s recipe. It’s just a piece of paper to the novice...

A lot of film people are like that– especially the ones below the line, the blue-collar guys, the grunts. They like putting their hands on the equipment and getting it to do things for them. It’s not about art or ideas. It’s about working at something and making it come out right.

Women think in [Douglas] Sirk’s films. Something which has never struck me with other directors. None of them. Usually women are always reacting, doing what women are supposed to do, but in Sirk they think. It’s something that has to be seen. It’s great to see women think. It gives one hope. Honestly.

Ever director has at least 10 bad films in them.

If you’re early, you’re on time. If you’re on time, you’re late.

I’m lucky enough to be able to make films and so I don’t need a psychiatrist. I can sort out my fears and all those things with my work. That’s an enormous privilege. That’s the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.

OK, publishing a book and releasing a movie is all very well, but Tottenham beating Man. U. 3-2… priceless.

You’re beautful. Yes you are, you’re very very beautiful. Extremely beautiful.

For the casual viewer, Kurosawa’s films can be an exercise in endurance.

Censors tend to do what only psychotics do: they confuse reality with illusion.

The body lay outside an abandoned, boarded-up theater. The theater had started as a first-run movie house, many years back when the neighborhood had still been fashionable. As the neighborhood began rotting, the theater began showing second-run films, and then old movies, and finally foreign-language films.

And we hate this possibility in movies; we hate this “both” shit. “Both” comes off as sloppy characterization, muddy filmmaking, lack of focus. … But I submit that the real reason we criticized and disliked Lynch’s Laura’s muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in...

AN ACADEMIC DEFINITION of Lynchian might be that the term “refers to a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former’s perpetual containment within the latter.” But like postmodern or pornographic, Lynchian is one of those Porter Stewart-type words that’s ultimately...

Three films a day, three books a week and records of great music would be enough to make me happy to the day I die.

The collective sign of relief heaved on V-J Day ought to have inspired Hollywood to release a flood of “happily ever after” films. But some victors didn’t feel too good about their spoils. They’d seen too much by then. Too much warfare, too much poverty, too much greed, all in the service of rapacious progress....

The dangerous temptation of wildlife films is that they can lull us into thinking we can get by without the original models — that we might not need animals in the flesh.

Perhaps vaguely aware that his movie so completely lacks gravitas, Moore concludes with a sonorous reading of some words from George Orwell. The words are taken from 1984 and consist of a third-person analysis of a hypothetical, endless and contrived war between three superpowers. The clear intention, as clumsily excerpted like this (…), is to...

Didn’t open the box? What was it last time? Didn’t know what it was? And yet we do keep finding each other, don’t we? – Cenobite

Outside the cinema I had not yet learned to live, but within it I had most certainly learned to die. I could die for you in every way known to man, and in a few ways known only to scriptwriters. I could see now that provided that I remained fit, the future held many more...

The longing for improvement and the fear of waste and worse – it is a pattern still with us, and maybe it speaks to the medium’s essential marriage of light and dark, or as Mary Pickford put it in her autobiography (published in 1955), Sunshine and Shadow. Light and dark were the elements of film,...

The mole is an animal that digs passages searching for the sun. Sometimes he reaches the surface. When he looks at the sun he goes blind.

If you are great, El Topo is a great picture. If you are limited, El Topo is limited.

Cinema is a mixed form. L’Avventura has characters, it has social context, and these things are not trivial. Its plot is the disappearance of a disappearance. Possibly the most frightening plot imaginable. Forgetting the dead, whom all of history tells us we must remember. But what makes movies themselves, rather than novels or plays, is...

Am I in the wrong place here, or in the wrong life? Did I not recognize, as I sat in a train that raced past a station and did not stop, that I was on the wrong train, and did I not learn from the conductor that the train would not stop at the next...

The sad thing is that when movies like this fail, executives think that proves there’s no audience for unusual, original pictures – because they think they’ve made one.

It’s not what a movie is about, it’s how it is about it.

The varying physical characteristics of the actors may also necessitate changes. Sean Connery is six feet four. Dustin Hoffman isn’t.

you’re all a bunch of sheep!” and even if they did say anything, I doubt anyone would listen… they’re all too obsessed and attached to their cellular phones and overly big televisions and whatever other moronic things they’ve got these days… it almost makes me want an apocalypse to happen, to erase digital technology and...

Well, uh… well, have fun watching your home movies then,” Mandy finished, but she didn’t have the slightest idea what he was talking about.

People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines.

Film photography will always be superior to digital – because no matter how many lasers and instant buttons and HD pixels you’ve got, a human being can take a photograph with much more integrity and meaning than one a built-in robot took.

…When the bespangled Miss Charisse wraps her phenomenal legs around [Fred] Astaire, she can be forgiven everything—even the fact that she reads her lines as if she learned them phonetically.

Nothing more inelegant and ineffective than an art conceived in another art’s form.

A film which followed the code of the Hays Office to the strictest letter might succeed in being a great work of art, but not in a world in which a Hays Office exists.

The film is the first art form capable of demonstrating how matter plays tricks on man.

In America, film is the highest form of art that the public aspires to. People will come to me and say ‘Oh, your book was so good, they ought to make a movie out of it!’ To which I reply ‘Well, why? It’s already a book.

Every actor in his heart believes everything bad that’s printed about him.