I ask Laurie if it’s possible to get trained fish. Lindsay says this is how we know I’ve never produced a movie.

Jane reminds us that God is in his heaven, the monarch on his throne and the pelvis firmly beneath the ribcage. Apparently rock and roll liberated the pelvis and it hasn’t been the same since.

I seem finally to have stopped worrying about Elinor, and age. She seems now to be perfectly normal — about twenty-five, a witty control freak. I like her but I can see how she would...

We’ve hired the calmest babies in the world to play the hysterical Thomas. One did finally start to cry but stopped every time Chris [Newman (assistant director)] yelled ‘Action’. … Babies smiled all afternoon. Buddhist...

(On period costume posture coaching:)”We all stand about like parboiled spaghetti being straightened out.

An actor is just a part of a movie, but director – he is the movie.

Our first point of discussion is the hunt. (…) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as...

The first time we did cavalry charge I was so breathless with excitement I nearly fell off the horse. I actually saw stars in front of my eyes and thought I was going to faint....

Sense and Sensibility signs litter Devon — arrows with S & S on. Whenever Ang [Lee] sees a B & B sign he thinks it’s for another movie.

Dance like there’s nobody watching. Or filming. Never mind that creepy guy in the corner with the camcorder. Just keep dancing.

Edward finds Elinor crying for her dead father, offers her his handkerchief and their love story commences. Ang [Lee] very anxious that we think about what we want to do. I’m very anxious not to...

Shooting Willoughby carrying Marianne up the path. … Male strength — the desire to be cradled again? … I’d love someone to pick me up and carry me off. Frightening. Lindsay assures me I’d start...

The fire alarm went off. Fire engines came racing; we all rushed out on the gravel drive, everyone thinking it was us. In fact, one of the elderly residents of Saltram had left a pan...

Difficult for actors to extemporise in nineteenth-century English. Except for Robert Hardy and Elizabeth Spriggs, who speak that way anyway.

Filming is like a house, you have to feel comfortable in it.

Lindsay [Doran] goes round the table and introduces everyone — making it clear that I am present in the capacity of writer rather than actress, therefore no one has to be too nice to me.

Those of you that think filming is all glamour, you’re so wrong! Really, only the premieres are the glitzy bits.