I made a record album in 1960 and it exploded, and I got all these offers for TV.

With this CD technology, you can just remix a record right there on the spot.

A race that rejected the idea of personal sacrifice would surely be erased from time’s records before long.

The majors, they have to control the distribution, the record outlets, the radio and, in some cases, even the venues. And downloading and pirating have also put pressure on the majors.

Fiction is sort of a way to set the record straight, and let people at least believe that justice can be achieved and the right outcomes can occur.

My first record came out in 1961 and then I had one come out in 1962 and then I had two that came out in 1964.

There’s a big difference between doing the odd gig and actually having a record out and your name being on the ticket.

About one or two songs per record is me doing a little bloodletting.

I’m a believer in what your record is. I am what my record is – some of it good, some of it bad, some of it hard to tell.

No apparent, perceived, or claimed evidence in any field, including history and chronology, can be valid if it contradicts the Scriptural record.

We don’t have to stand on a soap-box and preach because hopefully we’re channelling it through the new record.

When I record something, I’ll take a drive and just listen.

I have never taken more than two weeks to record an album throughout my career.

No one’s promised anything. You could have the biggest record on radio and sell no records.

I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.

I should be the one to say what I do. It’s just not done that way anymore in Nashville, and I can’t do it the other way. That’s how our record label came about.

Part of me believes that the completed record is the final measure of a pop musician’s accomplishment, just as the completed film is the final measure of a film artist’s accomplishments.

When somebody turned me on to a Coltrane record around seventh grade, I took up saxophone.

The Rockwell magazine cover was more a part of the American reality than a record of it.

No one individual vote, no one individual quote or no one individual statement defines me, my beliefs, or my record.

The first album is a classic record and I think the prototype of a sound that no one else does.

We didn’t start out to make a protest record at all. That would have been too shallow. As usual, it was simply a case of absorbing what’s going on around us.

Nobody sets out to make a bad record.

I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.

The track record of economists in predicting events is monstrously bad. It is beyond simplification; it is like medieval medicine.

You know, I don’t only play for the record books.

For the record, I have long suspected that my favorite book is actually ‘Charlotte’s Web.’

Our mind, keep all the record of our emotions, wrapped in hope and preserve it.

You can now be a master of your own destiny. I’m not sure why you would sign up with a record label.

One day I’ll wake up and I’ll have 10 or 12 songs and think, ‘Oh that sounds like it could be a record.’

The ‘Daryl’s House’ thing has made me into a live musician even more than I ever was, and even in the way I record.

My record is, far as I know, unimpeachable.

I told [John Kruesi] I was going to record talking, and then have the machine talk back. He thought it absurd. However, it was finished, the foil was put on; I then shouted ‘Mary had a little lamb’, etc. I adjusted the reproducer, and the machine reproduced it perfectly.[On first words spoken on a phonograph.]

Immediately after the Floyd experience, I became a pop record producer.

I have a record I love, ‘Limbo,’ which is very catchy.

‘Rocket to Russia’ is, I think, my favorite Ramones record. We reached our peak at that point.

I only record songs that I really like and believe in and can sing with conviction.

I started performing at two or three on a tape recorder, one of those little flat recorders where you just push play and record.

We live in a difficult but inspiring world, and there is so much out there that I want to record.

I’m a bad pessimist. I don’t think about how successful any record I’ve ever done is going to do before it came out.

I have been with the record company and Tommy was there doing records with other people.

I’ve watched the world crash and burn in every sense. I’ve watched the record industry crash and burn; politically I’ve watched it crash and burn, financially crash and burn.

There is no better way to quickly buoy hard-pressed homeowners than helping them take advantage of the currently record low fixed mortgage rates and significantly reduce their monthly mortgage payments.

I’ve been impressed, over the last 15 years, with how often the somewhat conspiratorial comments of Haitian villagers have been proven to be correct when the historical record is probed carefully.

Jesus did many other things as well. If every one of them were written down, I suppose that even the whole world would not have room for the books that would be written.

Despite the deep reforms we are making, traders and speculators have forced interest rates on Greek bonds to record highs.

In 1980, I moved to Chicago, and I recorded demo tapes for my friends’ bands, and in 1981, the first Big Black record – the first thing I did that was an actual record.

It was very important to establish a sound, so that people heard a record on the radio and knew immediately that it was you.

I wanted to talk about my life. There is so much. I was 18 when I made the record, and I had a lot to say.

We’re probably doing better business than we thought we would do especially considering the disappointing way the record company has handled the album.