We’re probably doing better business than we thought we would do especially considering the disappointing way the record company has handled the album.

When you record, you live with what you recorded for many many years, but when you play it’s just an hour and a half and then once it’s over it’s over.

You know, I don’t only play for the record books.

I only record songs that I really like and believe in and can sing with conviction.

I have a proven record as an effective legislator, which I believe is my greatest asset.

I don’t hide my being Israeli. I say it in every interview. I put out a record with songs in Hebrew. The people who signed me have no connection to Judaism or Israel.

There is no better way to quickly buoy hard-pressed homeowners than helping them take advantage of the currently record low fixed mortgage rates and significantly reduce their monthly mortgage payments.

A Cat Stevens record isn’t just Cat Stevens’ ideas. It’s Cat Stevens and all the musicians who play with Cat Stevens, right?

Part of me believes that the completed record is the final measure of a pop musician’s accomplishment, just as the completed film is the final measure of a film artist’s accomplishments.

I don’t have to put out another rap record. I can do it at my casual pace.

But I think the record will actually come from tapes that are not yet recorded.

Fiction is sort of a way to set the record straight, and let people at least believe that justice can be achieved and the right outcomes can occur.

I started performing at two or three on a tape recorder, one of those little flat recorders where you just push play and record.

It was very important to establish a sound, so that people heard a record on the radio and knew immediately that it was you.

That’s what my music… I’m working on a solo record right now, it’s gonna be more hip-hop than anything, like electronic hip-hop, futuristic hip-hop. I’m probably gonna be rapping on it.

I have a record that I’m so very, very proud of, and no campaign is going to take that away.

That’s the strange thing about making a record. You can be in one mood for an hour, put it on a record, and you’re remembered that way.

I made a record album in 1960 and it exploded, and I got all these offers for TV.

I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.

The majors, they have to control the distribution, the record outlets, the radio and, in some cases, even the venues. And downloading and pirating have also put pressure on the majors.

Seven and the Ragged Tiger took six months to record and finish.

I’ve been impressed, over the last 15 years, with how often the somewhat conspiratorial comments of Haitian villagers have been proven to be correct when the historical record is probed carefully.

‘Rocket to Russia’ is, I think, my favorite Ramones record. We reached our peak at that point.

No one’s promised anything. You could have the biggest record on radio and sell no records.

I don’t really know that this story has a whole lot of things happen in it. It doesn’t really. It’s just a record of how things were in my life during this last winter. I guess things happened, but nothing out of the ordinary.

The first album is a classic record and I think the prototype of a sound that no one else does.

No apparent, perceived, or claimed evidence in any field, including history and chronology, can be valid if it contradicts the Scriptural record.

Old age is just a record of one’s whole life.

Every word Martone sets down, finally, a choice that limits the universe, their trail across the page a fossil record of some life’s life-story.

Everything that God wants to say to you is recorded in your Bible…straight from His heart to yours.

I was listening to the first record the other day, and it sounds remarkably contemporary.

I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.

I have never taken more than two weeks to record an album throughout my career.

I’m at a point where I don’t have to wait for the income from the record to survive, so I’m in a comfortable zone, but I’ll make rap records as long as I feel I have something to rap about.

It’s not about battling the original artists when I record these songs, it’s about paying tribute to them.

Never try to make the same record twice, even when people are screaming for the same sound.

I started young. My first record came out when I was – what? 18? So I was in the studio when I was 15, 16.

I can’t write another breakup record. That would be a real cliche.

I am never writing a breakup record again, by the way. I’m done with being a bitter witch.

When I was 15 I became a full-time singer in a band. At 18 I made my first record.

[When a religious couple wrote to Sagan about fulfilled prophecies, he wrote back in May 1996:]If ‘fulfilled prophecy’ is your criterion, why do you not believe in materialistic science, which has an unparalleled record of fulfilled prophecy? Consider, for example, eclipses.

Back in the day, I used to be in the studio recording 20 hours a day. And that was all of the time. I still record a lot of hours, but I don’t go as long as I used to.

I started my own record label.

The record producer is the music world’s equivalent of a film director.

We don’t have to stand on a soap-box and preach because hopefully we’re channelling it through the new record.

I told [John Kruesi] I was going to record talking, and then have the machine talk back. He thought it absurd. However, it was finished, the foil was put on; I then shouted ‘Mary had a little lamb’, etc. I adjusted the reproducer, and the machine reproduced it perfectly.[On first words spoken on a phonograph.]

If I needed to record, I’d head to the coast or Nashville, one or the other.

There is always anxiety before a competition and it was no different for me today. It was only in the third round, with about 40 targets left, that I realised I could match the world record score.

There’s a big difference between doing the odd gig and actually having a record out and your name being on the ticket.

I wrote probably my phattest banging record with Knife Party: ‘Pile Driver.’