I love radio, but it’s a very limited thing today. Everything has to be edited down to 3:59, and too bad if I didn’t make my statement in three minutes and 59 seconds. Everybody’s song has to make its point so quickly.

Depending on the story that you’re telling, you can be relatable to everybody or nobody. I try and tell everybody’s story.

I loved ‘Everybody Loves Raymond’ because I like Ray and I thought it was beautifully cast, I thought it was great writing. I thought Patricia Heaton was wonderful.

Because after my first year I had a lot of success, took everybody by storm, came back the next year thought it was easy and didn’t have near the season I had the previous year. It was kind of a wake-up call. And so, life goes on.

We want a world where life is preserved, and the quality of life is enriched for everybody, not only for the privileged.

Everybody makes his path differently.

Oddly enough, I think that everybody can relate to revenge, on some level. Everyone has wanted to exact it, at some point, and everybody has tampered with the idea, even if they didn’t actually go through with it.

You would never argue about a straight girl playing a lesbian. Everybody still watched ‘The L Word.’ I feel like we have such great role models, like Jane Lynch and Jodie Foster and all these people that you don’t even think about.

I get all dressed up with that Marianne Faithfull face, and the next thing I know, I’m blurting out things that I shouldn’t, trying to get attention when, really, I’ve got everybody’s attention already.

I guess we’d be living in a boring, perfect world if everybody wished everybody else well.

I never travel without my Stetson, but the more I wear it the more I realise that no one wears hats any more. When I was a kid everybody wore hats, especially in Texas, but I get off the plane in Dallas now and I’m the only guy with a hat. It’s amazing.

I think people enjoy reading about money, but the people who are in charge of giving me guidance tell me not to talk about it in interviews. Why not? That’s what everybody thinks about.

Every now and then I have to teach directing. The thing about the theatre is that the most important thing you can do as a director is to make sure that everybody is in the same world – you have to create the world and make sure everyone buys into it.

Everybody is right when there are no wrongs.

Well, unbeknownst to everybody, I did a movie when I was 19.

I watch everybody every night, from sitting down to being on their feet at the end, and I feel a sense of reinvention, of caring, presenting these songs in their purest form.

Everybody’s career has ups and downs. I like to take chances; I don’t like to stand still. And I don’t give a damn what the market is interested in; I want to try things.

Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people.

I think everybody has their own unique style.

When all your stuff gets smashed, everybody gives you new stuff. And when you’ve been playing the same guitar since you were like 12, that’s a lot like dancing with somebody else’s wife.

When you play against the best, it brings the best out in everybody.

We’ve got to be fair. You can’t say a place that has strip joints is sacred ground. We’ve got to be just. We’ve got to speak the truth. We’ve got to have justice for everybody. We’re a country of justice for all, not justice for non-Muslims only or some groups and not for others.

I love when you go to a horror film with real horror fans and everybody’s there watching, getting involved and screaming. That’s when it’s most alive and exciting for me.

You have to ask what is going to happen to a lot of companies when there is not a lot more money to be gotten. That changes everybody’s perspective, I think.

Nobody’s favorite movie is some dark, dysfunctional slasher story. Everybody’s favorite song is a sentimental song. So why all of a sudden is it bad to be sentimental in books?

I learned, when I look in the mirror and tell my story, that I should be myself and not peep whatever everybody is doing.

You can act as nice as you can 100% of the time, and it will still not make everybody say nice things about you.

Everybody has forgotten about showmanship. People don’t look like rock stars any more. They just look like regular dudes off the street.

Everything feels like you’re in slow motion and everything you do seems like it’s about two or three plays of what everybody else is doing.

You have to give everybody another recourse as some means other than violence, no matter how distasteful it may be to have to deal with them and what they represent.

I’d never just want to do what everybody else did. I’d be contributing to the sameness of everything.

I find this wave of super-skinny women scary. I’m not going to lie to you, I’ve got to drag myself down to the gym like everybody else. But I look at the red carpet sometimes and it’s like a pageant.

Everybody these days wants to be a star, including myself. Don’t get me wrong, I’m a chef but you want to market yourself and your projects.

Quite frankly, I’m tired of taking insulin and pumping my stomach every three days and pricking my finger and drawing blood out of it every day – it’s a tedious, meticulous, annoying disease that never goes away. And I want to get rid of it like everybody else does.

The Beatles had just come out, and everybody had a band. It was incredible competition out there.

Everybody loves a hit. There is nothing as fun as making a cultural splash with a movie.

Everybody in the world, must work to earn a living.

If you see a Renaissance body, this is completely ugly in this time. Everybody has to be skinny. But the Renaissance body with incredible flow of the meat everywhere, it was beauty.

My party trick is that I ask everybody questions. I’m just nosey.

Everybody who is incapable of learning has taken to teaching.

I’m a massive believer in brands. Silicon Valley has tried to reprogram everybody to think brands aren’t valuable. Or theirs are, but yours aren’t.

We have got this Damocles’ sword of Standard and Poor’s hanging over us, with the commitment they have made to review Britain’s credit rating in the summer of 2010 after the general election. Everybody in Britain has a vital interest in ensuring that the triple A credit rating agency is maintained.

Parenting is not for everybody. It changes your life. Especially when they’re little.

I had several publishers, and they were all the same. They all wanted salacious. And everybody is writing autobiographies, and that’s one reason why I’m not going to do it. If young Posh Spice can write her autobiography, then I don’t want to write one!

Is there one specific source that determines correct morality and everybody should follow that? Or should individuals come up with following that source or not depending on their situation?

I feel like there’s an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we’re all so freaked out about theater keeping audiences interested because everybody’s so freaked out about theater becoming irrelevant.

I am nice to everybody. But people really take advantage of it.

I advise everybody not to save: spend your money. Most people save all their lives and leave it to somebody else. Money is to be enjoyed.

If you followed the media you’d think that everybody in Africa was starving to death, and that’s not the case; so it’s important to engage with the other Africa.

I know I’m not gonna please everybody when I make a record. I don’t let that affect any of my decisions.