Thom is one of those wonderful people to cook for because he absolutely loves it, just loves it. He loves to eat and drink and he’d be a great guest at any dinner party.
But—let me tell you my cat joke. It's very short and simple. A hostess is giving a dinner party and she's got a lovely five-pound T-bone steak sitting on the sideboard in the kitchen waiting to be cooked while she chats with the guests in the living room—has a few drinks and whatnot. But then she excuses herself to go into the kitchen to cook the steak—and it's gone. And there's the family cat, in the corner, sedately washing it's face.""The cat got the steak," Barney said."Did it? The guests are called in; they argue about it. The steak is gone, all five pounds of it; there sits the cat, looking well-fed and cheerful. "Weigh the cat," someone says. They've had a few drinks; it looks like a good idea. So they go into the bathroom and weigh the cat on the scales. It reads exactly five pounds. They all perceive this reading and a guest says, "okay, that's it. There's the steak." They're satisfied that they know what happened, now; they've got empirical proof. Then a qualm comes to one of them and he says, puzzled, "But where's the cat?
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse yourand sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place.WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won.He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee.I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port.Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together.It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
THIS IS WHYHe will never be given to wonder muchif he was the mouth for some cruel forcethat said it. But if he were(this will comfort her) less than one momentout of millions had he meant it. So many years and so many turnsthey had swerved around the subject.And he will swear for many morethe kitchen and everything in it vanished --the oak table, their guests, the refrigerator doorhe had been surely propped against--all changed to rusted ironwork and ashexcept in the center in her linen caftan:she was not touched.He remembers the silence before he spokeand her nodding a little,as if in the meat of this gray wastehere was the signalfor him to speak what they had long agreed,what somewhere they had prepared together.And this one moment in the desert of ashstretches into forever.They had been having a dinner party.She had been lonely. A friend asked her almost jokingif she had ever felt really crazy,and when she started to unwind her answerin long, lovely sentences like scarves within herhe saw this was the waythey could no longer talk together.And that is when he said it,in front of the guests,because he couldn't bear to hear her.And this is why the guests have leftand she screams as he comes near her.
Did you know one in three woman wind up in a mentally or physically abusive relationship?But the funny part is, it doesn't start off that way. It starts of wonderful, as close to everything you imagined something solid should be. Then little by little, the relationship changes, and you wonder if you're going crazy. You literally start to question your own sanity. One minute, the person you're in love with is kind and caring, and the next they're flipping out. The first few times you write it off, assuming they're having a bad day, but then it becomes a regular pattern of behavior. The person on the receiving end isn't oblivious to it but starts blaming themselves.Did you know mental abuse can make a victim feel depression, anxiety, helplessness, nonexistent self-worth, and despair? But that doesn't matter because your feelings don't count, and you don't realize they never will. Sometimes the abuser makes you think they count. Then you're back to thinking that you're the one who belongs in an institution, not them. But on the norm, your needs or feelings, if you actually have the fucking courage to express them-and most women don't-are ignored, ridiculed, minimized, and dismissed. You're told you're too demanding, or there's something wrong with you. Basically, you're denied the right to feel... anything.Sometimes you distance yourself from friends or loved ones. Sometimes you're not even allowed to have friends. Thought you've given this person your heart and soul, their behavior becomes so erratic, it's as if you feel like you're walking on landmines. But you continue to love them because they weren't like this when you're met, so it only seems obvious it's your fault. Then-there's the hysterical part and just how twisted this whole thing becomes-you start making excuses for their inexcusable behaviors in an effort to convince yourself it's normal. In an actual, damn convince yourself you're the one who;s made them become the monster they've turned into. A couple of ladies from an organization fighting against domestic abuse told me I allowed this to happen because 'I'm a product of my environment'. I mean really, how cliched is that? Did I ever tell you about my parents? Did I ever tell you how after my father left us, my mother continued pursuing assholes?Well, she did. She went through them like the world was going to end the next day. I get that being a single parent was hard for her. I do. But she definitely had a thing for picking up the local drunk at the nearest bar in order to help pay the next month's rent. They'd help for a while before they bounced out like my father did, but that never came without a price. She let them smack her around a bit if dinner wasn't cooked by the time they walked in the door, or if the house wasn't cleaned by the time they kicked off their filthy boots. They all looked different, but they came from a mold. Each and every single one of them was cut from the same piece of abusive wax,So, those women told me witnessing my mother's weakness drove my own, and her watching my grandfather beat my grandmother was what drove hers. They told me I was raised thinking it was okay for a man to do that to a woman. I was raised thinking self-worth was gained by catering to a man's needs at whatever cost. Ever if it meant degrading myself time and time again. But the apple can fall far from the tree. Fifty percent of children who grow up seeing that will never walk in their parents' footsteps, whether it's a boy watching his father beat his mother a young girl watching her mother get hit. But this apple landed on the tree's stump. This apple took the same path as her mother.