Designing is a matter of concentration. You go deep into what you want to do. It’s about intensive research, really. The concentration is warm and intimate and like the fire inside the earth – intense...

I think space, architectural space, is my thing. It’s not about facade, elevation, making image, making money. My passion is creating space.

There is still a real need for good quality architecture, not paper architecture, but the real stuff.

What I try to do is the art of building, and the art of building is the art of construction; it is not only about forms and shapes and images.

Architecture to me is whole. I cannot say I only care about this 25% and the other 75% I let go… it’s just I want to work the way I want to work. In my...

If, early on, you know how things are put together, then you can build. The architect is in charge of making – he is not an artist.

I work a little bit like a sculptor. When I start, my first idea for a building is with the material. I believe architecture is about that. It’s not about paper, it’s not about forms....

The bottom line may be that my inventing buildings is, indeed, a very private kind of activity. But it’s done to be shared. It is comforting and consoling. From the reactions I get I can...

If I look at history, it seems that most wars and most cruel things have been done by men and not by women.

Every time I imagine a garden in an architectural setting, it turns into a magical place. I think of gardens I have seen, that I believe I have seen, that I long to see, surrounded...

I grew up in a craftsman’s home, where things were done with our own hands. I did cabinetmaking for four years and I hated it.

My first buildings, when I was about 30, were rejected for aesthetic reasons.

My buildings should have an emotional core – a space which, in itself, has an emotional nice feeling.

I’m not mainly interested in what buildings mean as symbols or vehicles for ideas.

When I concentrate on a specific site or place for which I am going to design a building, I try to plumb its depths, its form, its history and its sensuous qualities.

If you look at the Earth without architecture, it’s sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether it’s a movie...

Small museums are great. Big museums are a drag.

I’ve built two wooden houses near Vals. I built them for my wife. Those were private projects.

Architecture is exposed to life. If its body is sensitive enough, it can assume a quality that bears witness to past life.

I am convinced that a good building must be capable of absorbing the traces of human life and taking on a specific richness… I think of the patina of age on materials, of innumerable small...

I can’t be bought with money. If someone calls me and asks me to work for them for three or four years, and they’ll pay me well to build their vacation home, I ask myself...

My relationship to plants becomes closer and closer. They make me quiet; I like to be in their company.

In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings and speak its own language.

I think the chance of finding beauty is higher if you don’t work on it directly. Beauty in architecture is driven by practicality. This is what you learn from studying the old townscapes of the...

I need a close contact to the client, whoever it is, and a commitment of the client to go out and do a process together. I want to do the best for him. I need...

The first 10 years of my professional life had only to do with running away from my father. He was a wonderful cabinet-maker, and me being the eldest son, I had to take over his...

I work anywhere between three and 10 years on a project, depending on the size. My lifetime is finite. Therefore, I have to look carefully at how many projects I want to put into my...

I design for the use of a building and the place and for the people who use it… the reputation for arrogance comes because when work is offered to me, I look whether I can...

You feel a certain way in a glass or concrete or limestone building. It has an effect on your skin – the same with plywood or veneer, or solid timber. Wood doesn’t steal energy from...

Normally, architects render a service. They implement what other people want. This is not what I do. I like to develop the use of the building together with the client, in a process, so that...

If you’re lucky, and a building succeeds, the real product has many more dimensions than you can ever imagine. You have the sun, the light, the rain, the birds, the feel.

Architecture has its place in the concrete world. This is where it exists. This is where it makes its statement.