I grew up in a working-class family, so I guess you could say I write from what I know.
I wonder whether my bleak-o-meter is set differently from other people’s.
I’m fascinated with what an audience will take away from an image.
Films are all about decisions, and that’s what I love.
I was a freestyle dancer; I wasn’t trained.
I deliberately never read about films before I see them.
I work best when there is adversity: I seem to get calmer the more the fur is flying.
I do believe some people can naturally act and don’t know it.
I find it kind of weird that directors want to put themselves in their films.
I don’t think you can question your instinct; you should always trust it.
I’ve not used a score in any of my films so far.
I am obsessed with why people turn out the way they are.
Whenever I get fed up with life I love to go wandering in nature.
As long as you keep your budgets small, there’s a way of making films.
Sometimes when you’re going fast, your instincts can be very useful.
Every time I start a film I feel like I’m starting the first time, ever.
Once I’ve finished a film I just want to get on and make another one.
I want to try and be instinctive as a writer and director.
Usually, I make such small-budget films that I can’t afford to buy weather.
We’re all quite vulnerable human beings really.
I always get quite close to my script because I work quite hard on them.
I was never that comfortable in front of the camera, it always terrified me.
Do Not Sell My Personal Information
Exercise your consumer rights by contacting us below Privacy Policy
Personalized advertisements
Turning this off will opt you out of personalized advertisements delivered from Google on this website.