To every man his little cross. Till he dies. And is forgotten.

VLADIMIR: Dance, hog!

A cheval sur une tombe et une naissance difficile. Du fond du trou, rêveusement, le fossoyeur applique ses fers. On a le temps de vieillir. L’air est plein de nos cris.

Gimdyti apsižergus kapą ir kančiose gimti. Duobėje duobkasys svajingai tvarkosi įrankius. Lieka laiko susenti. Ore skamba mūsų riksmai.

[Waiting for Godot] has achieved a theoretical impossibility—a play in which nothing happens, that yet keeps audiences glued to their seats. What’s more, since the second act is a subtly different reprise of the first,...