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I hated [the commercial art studio] because advertising is telling lies, basically, making crap goods look terrific, and I felt I was so privileged to be an artist anyway, why was I prostituting myself on doing this sort of rubbish? So when I left there, I suppose after about five or six years, I then went to the other extreme and started telling to me what seemed to me at the time the ultra-truth about the world around me – social life, and the politicians, and so forth.

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