Writing is my primary way of expressing myself.

Yeah, I have the detail-obsessed, controlling personality of a novelist, but I somehow ended up writing plays.

I was raised by a single psychologist mother and we spent every evening sitting at the kitchen table and dissecting our emotions and speculating about the inner life of everyone we knew.

Lauren: Like how many people you’re…like how many times your life is gonna totally change and then, like, start all over again? And you’ll feel like what happened before wasn’t real and what’s happening now...

I’m terrible at speaking extemporaneously about my work – I get completely tongue-tied and consumed with fear.

Lauren: Hey. Um. This is kind of a weird – but do you ever wonder how many times your life is gonna end?A pause.Schultz: Uh… I’m not sure I know what / you–Lauren: Like how...

If anything, I was the opposite of most college students who think they can do anything.

I feel like there’s an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we’re all so freaked out about theater keeping audiences...

I think growing up in a small town, the kind of people I met in my small town, they still haunt me. I find myself writing about them over and over again.

I was a very self-righteous 15-25 year old. Anyway, I wake up every morning and thank God I’m not a kid anymore.

I’m very interested in silence. And, more importantly, in what happens when people aren’t talking on stage. I’m interested in letting actors play and do things between the lines. And in slowing everything down.

I was 22 and stopped writing plays, and I didn’t start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved...

I don’t enjoy hearing the sound of my voice. The most important things for me are impossible to articulate extemporaneously.

I’m really trying to stop setting my plays in this one fictional town in Vermont.