When you read my stories, I want you to see the world through my eyes; as if I based my work on you. Come away with me, and I’ll show you a world that you’ve never seen before or ever want to leave.
Why is it that, you can only truly love someone if you make out with them or if they are your family? Whatever happened to friendship love? Look. I have never have met anyone on this site. But the love here - that shit is real. I don't care if you're all some random perverted thirty-year old men just wanting to bang some chick. I love you all. You guys gave me the courage to move on in life. You taught me that its okay to cry and feel pity for myself as long as I got back up. And I'll always be greatful to you for that. Look. I don't know what you guys look like, but if its anything like what you're like on the inside - than you are all gorgeous, wonderful, beautiful people and the world just can't handle your awesomeness. Okay? So I just wanted to say thank you. And to anyone who doubts this love, screw you. Because these people saved me when no one else cared to even try. These people are my courage, my legs to stand on, my world. And trust me when I say this. These people are my soul mates. Not 'like my soul mates', no. These people are my soul mates. And this love can't simply be defined in a couple of make out sessions. It goes beyond that. Beyond your imagination. So shut the hell up and don't bother telling me that I can't possible love these people because I never met them. Some feelings reach through the screen, and don't need to have the interaction among one another. Some feelings surpass all. So shut up. I love these people.
To be read. To be heard. To be seen. I want to be read, I want to be heard. I don't need to be seen. To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones. Words have a weight to them. How you choose to present them and to whom is a matter of style and choice.
I want you to stop being subhuman and become 'yourself'. 'Yourself,' I say. Not the newspaper you read, not your vicious neighbor's opinion, but 'yourself.' I know, and you don't, what you really are deep down. Deep down, you are what a deer, your God, your poet, or your philosopher is. But you think you're a member of the VFW, your bowling club, or the Ku Klux Klan, and because you think so, you behave as you do. This too was told you long ago, by Heinrich Mann in Germany, by Upton Sinclair and John Dos Passos in the United States. But you recognized neither Mann nor Sinclair. You recognize only the heavyweight champion and Al Capone. If given your choice between a library and a fight, you'll undoubtedly go to the fight.
I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another. My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians.When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer.Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty.
I didn't give you a parting kiss." I tried to ignore the audience of witches and concentrate on the kiss. Dominic jumped right in and helped me with a sexy lingering sizzling hot kiss. By the time we broke free, I was sure my cheeks were rose red. For a minute I felt like I might swoon and Dominic held my arm to keep me upright and pressed his lips against my cheek and whispered, "You sure know how to send a guy to the moon, Marissa.
Go ahead and try. I'll attempt to loosen up. Her muscles tightened when I took her hand in mine. "Do you know any self-hypnosis?""I guess I'm tensing too much." She took several deep calming breaths then tensed her muscles and relaxed them, repeating the steps several times. The pulse in her wrist slowed to normal. I nodded, grateful that Marissa was such a treasure despite my initial concern she might be more like the teen witch that had turned me into a frog.
When I write I am trying to express my way of being in the world. This is primarily a process of elimination: once you have removed all the dead language, the second-hand dogma, the truths that are not your own but other people's, the mottos, the slogans, the out-and-out lies of your nation, the myths of your historical moment - once you have removed all that warps experience into a shape you do not recognise and do not believe in - what you are left with is something approximating the truth of your own conception.
Are You Ready for New Urban Fragrances?Yeah, I guess I'm ready, but listen:Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.I want to travel on a train that smells like snowflakes.I want to sip in cafes that smell like comets.Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.I want to carry luggage that reeks of the neurons in Einstein's brain.I want a city's gases to smell like the golden belly hairs of the gods.And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
Well, Kessa, I am glad to see that you're taking your body seriously. I shudder when I see the girls leaving class and heading for the nearest hamburger, coke, and French fry station.The thought of them pouring all those dead calories into themselves makes me want to cry. You'd think after a rigorous dance class they'd have more respect for their bodies.
[A] couple I had known - who were old friends - asked me what I was going to work on next. I told them I wanted to write a near future book about AIDS concentration camps. They were vehement in their response: they thought it was a terrible idea. Their words both shocked and saddened me. "Do you really want to write a book about homosexuals?" they asked me. "Won't people who read your work be influenced toward sin?"I notice that I don't hear from them much lately.
And, er, these stories about you...""Oh, all true. Most of them. A bit of exaggeration, but mostly true.""The one about the Citadel in Muntab and the Pash and the fish bone?""Oh, yes.""But how did you get in where half a dozen armed and trained men couldn't even - ?""I am a little man and I carry a broom," said Lu-Tze simply. "Everyone has some mess that needs clearing up. What harm is a man with a broom?""What? And that was it?""Well, the rest was a matter of cookery, really. The Pash was not a good man, but he was a glutton for his fish pie.""No martial arts?" said Lobsang."Oh, always a last resort. History needs shepherds, not butchers.""Do you know okidoki?""Just a lot of bunny-hops.""Shittake?""If I wanted to thrust my hand into hot sand I would go to the seaside.""Upsidazi?""A waste of good bricks.""No kando?""You made that one up.
He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me.I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve.As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'.When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.' She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened.But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both.(describing childhood rape)
When i remember your namei know you are my hope.for what ?not for love...'cause i know you can't love me.but i know you are my hope for... Life.Just remembering your smile...i know you are my worldyou shaping my world that became like this...you are my storyNot to be told, But to remember...i love youand... I miss you nowi miss my worldi miss your face, your smile and your voiceI miss you more than anyone that I've ever met-For Enno Indi WP-
You and I. Hand in hand. An endless story of love. A love that grew in me for 9 months and only grows bigger each day.You and I. Hand in hand. An endless journey. Countless steps. One destination - your happiness.You and I. Hand in hand. My heart and blood. I'll share it all - take it - my whole life is you.