The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared. Sympathies that lie too deep for words, too deep almost for thoughts, are touched, at such times, by other charms than those which the senses feel and which the resources of expression can realise. The mystery which underlies the beauty of women is never raised above the reach of all expression until it has claimed kindred with the deeper mystery in our own souls.
Conversation between a princess and an outlaw: "If I stand for fairy-tale balls and dragon bait--dragon bait--what do you stand for?""Me? I stand for uncertainty, insecurity, bad taste, fun, and things that go boom in the night.""Franky, it seems to me that you've turned yourself into a stereotype.""You may be right. I don't care. As any car freak will tell you, the old models are the most beautiful, even if they aren't the most efficient. People who sacrifice beauty for efficiency get what they deserve.""Well, you may get off on being a beautiful stereotype, regardless of the social consequences, but my conscience won't allow it." "And I goddamn refuse to be dragon bait. I'm as capable of rescuing you as you are of rescuing me.""I'm an outlaw, not a hero. I never intended to rescue you. We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
Beauty! Wasn't that what mattered? Beauty was hardly a popular ideal at that jumpy moment in history. The masses had been desensitized to it, the intelligentsia regarded it with suspicion. To most of her peers, 'beauty' smacked of the rarefied, the indulgent, the superfluous, the effete. How could persons of good conscience pursue the beautiful when there was so much suffering and injustice in the world? Ellen Cherry's answer was that if one didn't cultivate beauty, soon he or she wouldn't be able to recognize ugliness. The prevalence of social ugliness made commitment to physical beauty all the more essential. And the very presence in life of double-wide mobile homes, Magic Marker graffiti, and orange shag carpeting had the effect of making ills such as poverty, crime, repression, pollution, and child abuse seem tolerable. In a sense, beauty was the ultimate protest, and, in that it generally lasted longer than an orgasm, the ultimate refuge. The Venus de Milo screamed 'No!' at evil, whereas the Spandex stretch pant, the macrame plant holder were compliant with it. Ugly bedrooms bred ugly habits. Of course, it wasn't required of beauty that it perform a social function. That was what was valuable about it.
Fine art refers to an accomplished or advanced skill being used to testify and reveal the knowledge, ability, and wisdom of the creator. There is no art more exquisite than the work of the Master Artist Himself. Even those who choose to deny Him credit for His own creation are often engaged as an admirer of His work. Refusing to acknowledge the Source will never minimize His glory or extinguish the truth.With God’s loving guidance our life can be a great masterpiece filled with beauty, adventure, hope and purpose.
ROSE of all Roses, Rose of all the World!The tall thought-woven sails, that flap unfurledAbove the tide of hours, trouble the air,And God’s bell buoyed to be the water’s care;While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand.Turn if you may from battles never done,I call, as they go by me one by one,Danger no refuge holds, and war no peace,For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade:But gather all for whom no love hath madeA woven silence, or but came to castA song into the air, and singing pastTo smile on the pale dawn; and gather you Who have sought more than is in rain or dewOr in the sun and moon, or on the earth,Or sighs amid the wandering starry mirth,Or comes in laughter from the sea’s sad lips;And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable,To these Old Night shall all her mystery tell;God’s bell has claimed them by the little cryOf their sad hearts, that may not live nor die.Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurledUpon the wharves of sorrow, and heard ringThe bell that calls us on; the sweet far thing.Beauty grown sad with its eternityMade you of us, and of the dim grey sea.Our long ships loose thought-woven sails and wait,For God has bid them share an equal fate;And when at last defeated in His wars,They have gone down under the same white stars,We shall no longer hear the little cry Of our sad hearts, that may not live nor die.The Sweet Far Thing