The studio that we mix in is still in Chicago.

When I go into the studio, I completely detach. I let my emotions come out.

I do real paintings, you know. I’m a little messy in the studio, so I’m a bit of a danger. But I just adore it.

Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too.

I’m a big micro manager; I’m a stickler about organisation; everything needs a place, a purpose, and micro managing myself even when I’m in the studio.

I had two ambitions: One was to be in The Actors Studio, and the other was to walk into a bar where actors hung out, and everyone would know that I was a professional actor...

The size of a studio film lets you see technology in a way that you wouldn’t on an independent film, like the gadgets and the angles and all that.

I always used to develop a cold going into the studio.

We used to go to Studio 54 – an amazing place.

I love being in the studio. Expressing myself that way is really cool.

I have no philosophy, my favourite thing is sitting in the studio.

The thing that’s characteristic of my performance is that I literally do drag the whole studio onto the stage.

Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into...

It’s a cute little studio apartment that has just what I need: a bed, a couch, a table, a chair, and a coffee-maker.

By the time I’m in the studio recording my parody, 10,000 parodies of that song are on YouTube.

In my studio, it is unkempt and unattractive. Once I’m in my work, I don’t notice where I am.

I like studio movies; I love big commercial movies.

When I’m in the studio, I don’t finish the song and say, ‘That’s going to be a big ringtone.’

I’ve always been interested in what happens in the studio.

I was under contract to Paramount. They wanted to make me into somebody which I was not. So I got so scared and rebelled, so they threw me out of the studio.