Ida Says ‘I do’ in Idaho.” It would be about a divorce in Washington State, and the protagonist would be a woman, though I’m not sure what her name should be.

…there are books…which you can’t tell people about, books so special and rare and yours that advertising your affection feels like a betrayal.

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling...

We may think of ourselves as static anti-heroes, but in reality we’re dynamic protagonists just waiting for our courage to kick in.

This is the time to remember that I’m the protagonist in my own story, facing every challenge with grace and wit.

What was the point of having a situation worthy of fiction if the protagonist didn’t behave as he would have done in a book?