Most of the movies are working like, ‘Information, cut, information, cut, information, cut’ and for them the information is just the story. For me, a lot of things [are] information – I try to involve,...

My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected...

If chess has any relationship to film-making, it would be in the way it helps you develop patience and discipline in choosing between alternatives at a time when an impulsive decision seems very attractive.