Watching him, his hands buried in his pockets—to keep from circling her neck she supposed—she couldn't help but marvel at the curious mix of Southern courtesy and male arrogance, the natural assumption he shouldered of being lawfully in control. "Engaging in a moral battle isn't always hazardous to one's health, you know.""Doesn't look like it's doing wonders for yours.""Saints be praised, it can actually be rewarding."Looking over his shoulder, he halted in the middle of the room. "Irish.""I beg your pardon?""You. Irish. The green eyes, the tiny bit of red in your hair. Is Connor your real name?""Yes, why..." she said, stammering. Bloody hell. "Of course.""Liar."She felt the slow, hot roll of color cross her cheeks. "What could that possibly have to do with anything?""I don't know, but I have a feeling it means something. It's the first I've heard come out of that sassy mouth of yours that didn't sound like some damned speech." He tapped his head, starting to pace again. "What I wonder is, where are you in there?
Ken brought my hand to his lips and kissed it. I'd been paying so much attention to Ken, I didn't know what happened during the game. I don't think anyone cared too much what the outcome was after Ken's at bat."Do you know who won?" I asked Cooper, who automatically translated into sign language for Shawn.Shawn laughed his odd laugh and signed something back. He looked at Ken, who had an arm wrapped possessively around my waist.Cooper grinned. "Shawn says it looks like you did, Jordie.
ROSE of all Roses, Rose of all the World!The tall thought-woven sails, that flap unfurledAbove the tide of hours, trouble the air,And God’s bell buoyed to be the water’s care;While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand.Turn if you may from battles never done,I call, as they go by me one by one,Danger no refuge holds, and war no peace,For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade:But gather all for whom no love hath madeA woven silence, or but came to castA song into the air, and singing pastTo smile on the pale dawn; and gather you Who have sought more than is in rain or dewOr in the sun and moon, or on the earth,Or sighs amid the wandering starry mirth,Or comes in laughter from the sea’s sad lips;And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable,To these Old Night shall all her mystery tell;God’s bell has claimed them by the little cryOf their sad hearts, that may not live nor die.Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurledUpon the wharves of sorrow, and heard ringThe bell that calls us on; the sweet far thing.Beauty grown sad with its eternityMade you of us, and of the dim grey sea.Our long ships loose thought-woven sails and wait,For God has bid them share an equal fate;And when at last defeated in His wars,They have gone down under the same white stars,We shall no longer hear the little cry Of our sad hearts, that may not live nor die.The Sweet Far Thing
The poorest man may in his cottage bid defiance to all the forces of the Crown. It may be frail, its roof may shake; the wind may blow through it; the storm may enter, the rain may enter -- but the King of England cannot enter; all his force dares not cross the threshold of the ruined tenement!
Peter, who broke his enemies on the rack and hanged them in Red Square, who had his son tortured to death, is Peter the Great. But Nicholas, whose hand was lighter than that of any tsar before him, is "Bloody Nicholas". In human terms, this is irony rich and dramatic, the more so because Nicholas knew what he was called.
He took his hands off the oars and pulled in the mooring rope. If I make a couple of loops, he thought, I can strap the axe on to my back.He had a mental picture of what could happen to a man who plunged into the cauldron below a waterfall with a sharp piece of metal attached to his body.GOOD MORNING.Vimes blinked. A tall dark robed figure was now sitting in the boat.'Are you Death?'IT'S THE SCYTHE, ISN'T IT? PEOPLE ALWAYS NOTICE THE SCYTHE.'I'm going to die?'POSSIBLY.'Possibly? You turn up when people are possibly going to die?'OH, YES. IT'S QUITE THE NEW THING. IT'S BECAUSE OF THE UNCERTAINTY PRINCIPLE.'What's that?'I'M NOT SURE.'That's very helpful.
I pull my foot back again, but Four's hands clamp around my arms, and he pulls me away from her with irresistible force. I breathe through gritted teeth, staring at Molly's blood-covered face, the color deep and rich and beautiful, in a way. She groans, and I hear a gurgling in her throat, watch blood trickle from her lips. "You won," Four mutters. "Stop." I wipe the sweat from my forehead. He stares at me. His eyes too wide; they look alarmed. "I think you should leave," he says. "Take a walk." I'm fine," I say. "I'm fine now," I say again, this time for myself.I wish I could say I felt guilty for what I did.I don't.
Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet.""Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth."No," he says, almost puzzled. "But they taste familiar. Sugar berries?""Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go."They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable.I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.
From other stories that have been handed down to me I know that my people, like many others in the slave states, went to church with their slaves, were baptized with them, and presumably expected to associate with them in heaven. Again, I have been years realizing what this means, and what it has cost. First, consider the moral predicament of the master who sat in church with his slaves, thus attesting his belief in the immortality of the souls of people whose bodies he owned and used. He thus placed his body, if not his mind, at the very crux of the deepest contradiction of his life. How could he presume to own the body of a man whose soul he considered as worthy of salvation as his own? To keep this question from articulating itself in his thoughts and demanding an answer, he had to perfect an empty space in his mind, a silence, between heavenly concerns and earthly concerns, between body and spirit. If there had ever opened a conscious connection between the two claims, if the two sides of his mind had ever touched, it would have been like building a fire in a house full of gunpowder: somewhere down deep in his mind he always knew of the danger, and his nerves were always alert to it.
No Temple made by mortal human hands can ever compare to the Temple made by the gods themselves. That building of wood and stone that houses us and that many believe conceals the great Secret Temple from prying eyes, somewhere in its heart of hearts, is but a decoy for the masses who need this simple concrete limited thing in their lives. The real Temple is the whole world, and there is nothing as divinely blessed as a blooming growing garden.
... but happiness is to joy as an electric light bulb is to the sun. Happiness always has an object, you're happy because of something, it's a condition whose existence depends on external things. Joy, on the other hand, has no object. It seizes you for no apparent reason, it's like the sun, its burning is fueled by its own heart.
Love is not love which alters it when alteration finds, or bends with the remover to remove: O no! It is an ever fixed mark that looks on tempests and is never shaken; it is the star to every wandering bark whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks within his bending sickle's compass come: Love alters not with his brief hours and weeks, but bears it out, even to the edge of doom."(Sonnet 116)
What infinite heart's-easeMust kings neglect, that private men enjoy!And what have kings, that privates have not too,Save ceremony, save general ceremony?And what art thou, thou idle ceremony?What kind of god art thou, that suffer'st moreOf mortal griefs than do thy worshippers?What are thy rents? what are thy comings in?O ceremony, show me but thy worth!What is thy soul of adoration?Art thou aught else but place, degree and form,Creating awe and fear in other men?Wherein thou art less happy being fear'dThan they in fearing.What drink'st thou oft, instead of homage sweet,But poison'd flattery? O, be sick, great greatness,And bid thy ceremony give thee cure!Think'st thou the fiery fever will go outWith titles blown from adulation?Will it give place to flexure and low bending?Canst thou, when thou command'st the beggar's knee,Command the health of it? No, thou proud dream,That play'st so subtly with a king's repose;I am a king that find thee, and I know'Tis not the balm, the sceptre and the ball,The sword, the mace, the crown imperial,The intertissued robe of gold and pearl,The farced title running 'fore the king,The throne he sits on, nor the tide of pompThat beats upon the high shore of this world,No, not all these, thrice-gorgeous ceremony,Not all these, laid in bed majestical,Can sleep so soundly as the wretched slave,Who with a body fill'd and vacant mindGets him to rest, cramm'd with distressful bread;Never sees horrid night, the child of hell,But, like a lackey, from the rise to setSweats in the eye of Phoebus and all nightSleeps in Elysium; next day after dawn,Doth rise and help Hyperion to his horse,And follows so the ever-running year,With profitable labour, to his grave:And, but for ceremony, such a wretch,Winding up days with toil and nights with sleep,Had the fore-hand and vantage of a king.The slave, a member of the country's peace,Enjoys it; but in gross brain little wotsWhat watch the king keeps to maintain the peace,Whose hours the peasant best advantages.
I think he's been looking at his hands pre-pitch and where they are. He did the same thing last year. Out of the gate, you just lose your comfort zone for whatever reason. He'll get it. The good thing is we're 6-3 and when he gets hot, he has the ability to carry us for a while. It's not like he's some young kid and you hope he hits. It's just when is it going to be and how condensed is it going to be?