Why is it that, you can only truly love someone if you make out with them or if they are your family? Whatever happened to friendship love? Look. I have never have met anyone on this site. But the love here - that shit is real. I don't care if you're all some random perverted thirty-year old men just wanting to bang some chick. I love you all. You guys gave me the courage to move on in life. You taught me that its okay to cry and feel pity for myself as long as I got back up. And I'll always be greatful to you for that. Look. I don't know what you guys look like, but if its anything like what you're like on the inside - than you are all gorgeous, wonderful, beautiful people and the world just can't handle your awesomeness. Okay? So I just wanted to say thank you. And to anyone who doubts this love, screw you. Because these people saved me when no one else cared to even try. These people are my courage, my legs to stand on, my world. And trust me when I say this. These people are my soul mates. Not 'like my soul mates', no. These people are my soul mates. And this love can't simply be defined in a couple of make out sessions. It goes beyond that. Beyond your imagination. So shut the hell up and don't bother telling me that I can't possible love these people because I never met them. Some feelings reach through the screen, and don't need to have the interaction among one another. Some feelings surpass all. So shut up. I love these people.
Keesha looked at me for a long time. "I did leave you alone. We all did. But you didn't get better. You didn't stop. You're still doin' all your weird shit. And I think it's time to stop.""You think it's time to stop!" I exploded, and lunged at her with my hands outstretched. I pushed her real hard. She almost fell down. "I don't care what time you think it is!" I screamed. "Do you think I want to do this! Do you think I like it?""You pushed me!""Yeah. So what?""You're so afraid of being interrupted that you pushed me!""I'm not scared of being interrupted, you jerk! I'm . . . I'm scared . . . I'm scared of being." I crumpled into a ball and sat down where I was standing. I sat on a crack. Unevenly."Who are you anymore, Tara?"Tears spilled over my frozen lashes and disappeared across my cheekbones. I had never felt so defeated. "I don't know.
So...Now that we got that over with, let's get back to love at first sight, Evan said. Not infatuation at first sight...Love. With a capital L, he clarified.Love? Heeb asked, playfully pretending not to know the concept.Yeah. The real thing. The conviction that if you had this one woman, all other women would become irrelevant. You'd never again be unhappy And you'd give up anything to have her and keep her.You've experienced that?Only once. And I haven't stopped thinking about it ever since.Tell me more.Sometimes I think that I still chase women just to forget about her. Because I know I can never have her. But I can't seem to forget about her, no matter what girl I'm chasing...No one can possibly compare....Who is she?Delilah, Evan said wistfully.Delilah?, asked Heeb, intriguedDelilah Nakova, Evan replied, with a hint of awe and reverence in his voice.
Ichigo: You got that? Huh?! I'm the rescuer, so you just SHUT UP!!Rukia: Wha--wha'd you say? A rescuer isn't supposed to ignore the rescuee!Ichigo: Yeah? And what kind of rescuee complains about the rescue!? Why don't you go sit in a corner and tremble in fear and cry out "Save me! Save me!" like you're supposed to?!Rukia: I do not need saving, and I do NOT tremble!
It was because he wanted there to be conspirators. It was much better to imagine men in some smoky room somewhere, made mad and cynical by privilege and power, plotting over the brandy. You had to cling to this sort of image, because if you didn't then you might have to face the fact that bad things happened because ordinary people, the kind who brushed the dog and told their children bedtime stories, were capable of then going out and doing horrible things to other ordinary people. It was so much easier to blame it on Them. It was bleakly depressing to think that They were Us. If it was Them, then nothing was anyone's fault. If it was Us, then what did that make Me? After all, I'm one of Us. I must be. I've certainly never thought of myself as one of Them. We're always one of Us. It's Them that do the bad things.
He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me.I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve.As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'.When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.' She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened.But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both.(describing childhood rape)
I'm stuck in the middleOf the dream and the realityNot able to tell the differenceNot able to wake upDid I dream you into my lifeOr were you always realAnd were you always presentWithin the endlessness of timeSomething tells me, we came togetherA set of dreamers, a couple even,We're separated by many milesBut we are bonded to one anotherI'm stuck in love and I'm really helplessThere is no you to be touched with fingersBut here you are, my dream and my realityAnd I touch you perfectly with my heart.
But that wasn't the chief thing that bothered me: I couldn't reconcile myself with that preoccupation with sin that, so far as I could tell, was never entirely absent from the monks' thoughts. I'd known a lot of fellows in the air corps. Of course they got drunk when they got a chance, and had a girl whenever they could and used foul language; we had one or two had hats: one fellow was arrested for passing rubber cheques and was sent to prison for six months; it wasn't altogether his fault; he'd never had any money before, and when he got more than he'd ever dreamt of having, it went to his head. I'd known had men in Paris and when I got back to Chicago I knew more, but for the most part their badness was due to heredity, which they couldn't help, or to their environment, which they didn't choose: I'm not sure that society wasn't more responsible for their crimes than they were. If I'd been God I couldn't have brought myself to condemn one of them, not even the worst, to eternal damnation. Father Esheim was broad-minded; he thought that hell was the deprivation of God's presence, but if that is such an intolerable punishment that it can justly be called hell, can one conceive that a good God can inflict it? After all, he created men, if he so created them that ti was possible for them to sin, it was because he willed it. If I trained a dog to fly at the throat of any stranger who came into by back yard, it wouldn't be fair to beat him when he did so.If an all-good and all-powerful God created the world, why did he create evil? The monks said, so that man by conquering the wickedness in him, by resisting temptation, by accepting pain and sorrow and misfortune as the trials sent by God to purify him, might at long last be made worthy to receive his grace. It seem to me like sending a fellow with a message to some place and just to make it harder for him you constructed a maze that he had to get through, then dug a moat that he had to swim and finally built a wall that he had to scale. I wasn't prepared to believe in an all-wise God who hadn't common sense. I didn't see why you shouldn't believe in a God who hadn't created the world, buyt had to make the best of the bad job he'd found, a being enormously better, wiser and greater than man, who strove with the evil he hadn't made and who might be hoped in the end to overcome it. But on the other hand I didn't see why you should.
I want a girl because I want to bring her up so that she shan't make the mistakes I've made. When I look back upon the girl I was I hate myself. But I never had a chance. I'm going to bring up my daughter so that she's free and can stand on her own feet. I´m not going to bring a child into the world, and love her, and bring her up, just so that some man may want to sleep with her so much that he's willing to provide her with board and lodging for the rest of her life.
Just after my mother died, I grabbed hold of my Divergence like it was a hand outstretched to save me. I needed that word to tell me who I was when everything else was coming apart around me. But now I'm wondering if I need it anymore, if we ever really need these words, "Dauntless," "Erudite," "Divergent," "Allegiant," or if we can just be friends or lovers or siblings, defined instead by the choices we make and the love and loyalty that binds us.
All right," said Susan. "I'm not stupid. You're saying humans need... fantasies to make life bearable."REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE."Tooth fairies? Hogfathers? Little—"YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES."So we can believe the big ones?"YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING."They're not the same at all!"YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME...SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED."Yes, but people have got to believe that, or what's the point—"MY POINT EXACTLY.
No I am not okay. I've just been pulled out of play tryouts where I had to be the first to audition and everyone's trying out for the same parts, I just had a very bizarre conversation with the school secretary, Megan may be throwing up her cucumber sandwiches, I've broken five of the seven deadly sins in as many hours, a demon may be inside a girl in my world religions class, Grant Brawner called me by name, my license photo looks like a dead fish, I have to drive my friends all over town in two hours when I've never even driven without Dad before, none of my birthday wishes have come true yet, and now you're here with muffins like I'm in second grade? So, no, I am not ok.
I grabbed hold of my Divergence like it was a hand outstretched to save me. I needed that word to tell me who I was when everything else was coming apart around me. But now I'm wondering if I need it anymore, if we ever really need these words, 'Dauntless,' 'Erudite,' 'Divergent,' "Allegiant,' or if we can just be friends or lovers or siblings, defined instead by the choices we make and the love and loyalty that binds us.
I was 17 when my body started changing, and I worried about what I did wrong. I went through a period where I didn't eat at all. I also had someone who was encouraging me to take diet pills. I pushed myself to the extreme because I woke up one day and had hips - and a butt - and thought, 'Oh my gosh, I'm getting fat!'
I pull my foot back again, but Four's hands clamp around my arms, and he pulls me away from her with irresistible force. I breathe through gritted teeth, staring at Molly's blood-covered face, the color deep and rich and beautiful, in a way. She groans, and I hear a gurgling in her throat, watch blood trickle from her lips. "You won," Four mutters. "Stop." I wipe the sweat from my forehead. He stares at me. His eyes too wide; they look alarmed. "I think you should leave," he says. "Take a walk." I'm fine," I say. "I'm fine now," I say again, this time for myself.I wish I could say I felt guilty for what I did.I don't.
I have something I need to tell you," he says. I run my fingers along the tendons in his hands and look back at him. "I might be in love with you." He smiles a little. "I'm waiting until I'm sure to tell you, though.""That's sensible of you," I say, smiling too. "We should find some paper so you can make a list or a chart or something."I feel his laughter against my side, his nose sliding along my jaw, his lips pressing my ear."Maybe I'm already sure," he says, "and I just don't want to frighten you."I laugh a little. "Then you should know better.""Fine," he says. "Then I love you.
I am part of a minority that is deeply misunderstood. People have very confused ideas about us. Many are frightened of us. I've even heard it said that many people wouldn't want their daughters or sons to marry one of us, and I know of people who have been denied jobs or promotions because they share this trait with me. But being what I am does not make me bad; being what I am does not make me dangerous; being what I am does not mean I don't love, or hurt, or have a sense of humor. My name is Malclom Decter, and I'm here today to tell the whole world what I am. ... I am an atheist.
The hatred I feel for him, for the phantom girl, for everything, is so real and immediate that it chokes me. Gale is mine. I am his. Anything else is unthinkable. Why did it take him being whipped within an inch of his life to see it? Because I’m selfish. I’m a coward. I’m the kind of girl who, when she might actually be of use, would run to stay alive and leave those who couldn’t follow to suffer and die. This is the girl Gale met in the woods today. No wonder I won the Games. No decent person ever does. You saved Peeta, I think weakly. But now I question even that. I knew good and well that my life back in District 12 would be unlivable if I let that boy die. I rest my head forward on the edge of the table, overcome with loathing for myself.
Was it like this then? Seventy-five years or so ago? Did a group of people sit around and cast their votes on initiating the Hunger Games? Was there dissent? Did someone make a case for mercy that was beaten down by the calls for the deaths of the districts' children? The scent of Snow's rose curls up into my nose, down into my throat, squeezing it tight with despair. All those people I loved, dead, and we are discussing the next Hunger Games in an attempt to avoid wasting life. Nothing has changed. Nothing will ever change now.I weigh my options carefully, think everything through. Keeping my eyes on the rose, I say, "I vote yes...for Prim.""Haymitch, it's up to you," says Coin.A furious Peeta hammers Haymitch with the atrocity he could become party to, but I can feel Haymitch watching me. This is the moment, then. When we find out exactly just how alike we are, and how much he truly understands me."I'm with the Mockingjay," he says.
I think about going to the lake, but I'm so weak that I barely make it to mymeeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me.Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pairof lips.
As a songwriter, I'm gathering clues and possibilities all the time, whether I see a piano that day or not. I've tried to explain to people how I collect these dispatches, because I think anybody can do what I'm talking about. Once I do plug in, I might get only one line and two bar phrases of the melody. I always have elements of songs around that may never ever get recorded. As far back as Little Earthquakes, I began to realize that I needed to have a library of notes, phrases, words, things that might prove useful at any given time. Within a few months' time I'll gather hundreds of those fragments. Half won't be used. And then the craft comes in, the part that is about painting a world. You want listeners to smell the lavender, to feel the point of those knitting needles in a handbag of the granny who happens to harbor a loyalty to Madame Defarge. You want the listener to know the wood's burning in the stove when they walk into the song with me. Music is about all of your senses, not just hearing.
Prior to having sex for the first time, I had read many books and magazines, pornographic and otherwise, and I'd developed certain expectations of intercourse. From paperback romances I expected to feel vaguely yet ecstatically ravished, as if, for the duration of the act, I would experience everything an ad for a drugstore cologne could ever promise. From more serious fiction, I assumed that I would be blasted with a torrent of conflicting emotions, flashbacks to my birth, a rough kinship with the natural world, perhaps a Booker Prize, and, ultimately, a sense of existential ennui. From mainstream movies, I hoped for a beautifully lit and choreographed series of thrusts and embraces, with my head thrown back, my eyes shut but not squinched, and my lips slightly but appealingly parted; I also felt that the sex might be edited, continually leaping forward in the attractive bits and pieces, with only the dewiest bodily fluids. From porn, I trusted that sex would be alternately savage, degrading, pounding, and dull, and all of this sounded promising. From what my parents had told me, I knew that sex did not exist, and from what other schoolchildren had let on, I imagined that there was a real danger of getting stuck in one position or another, with the parties involved finally getting yanked apart in the emergency room.