I was never really a comic-book fanatic.

I believe in anything that will engage the audience and make the story more effective.

With three kids you are just trying to survive. You can’t be fastidious.

You can never guess or assume what anyone is going to think.

We’re living at a time where if you do a Google search for a ‘show, review and network,’ you’ll get ‘The New York Times’ and Pete Billingsley from a town you’ve never heard of on...

I am lucky, I’m the first to admit that.

I’d love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.

I hope to make movies that are so small they don’t need to make anything to be profitable.

I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you’ll know exactly who directed it....

To me the interesting main character is never the one without flaws.

It’s a leap of faith doing any serialised storytelling.

People never know what they want, though everyone says they do. If they did, nobody would ever be surprised.

I’m a fast writer.

I love the idea of anthropomorphizing machines. I love the idea of taking technology and giving it a personality.

I mean, my dad’s a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn’t exactly what I wanted to do.

Whenever a toddler sees a pile of blocks, he wants to tear it down.

I find that it’s hard to fully examine one’s life and not have faith be part of the discussion.