I like a girl with a substantial bottom,’ said Renoir, drawing in the air the size bottom he preferred.
—Christopher Moore
The music began, passages of immense technical complexity fluidly bridging Caravaggio’s chiaroscuro with Renoir’s impressionism. The gloom and shadows of claustrophobic chambers contrasting with the vibrant radiance of a wide-open landscape. The realism of humanity...
—Ella Leya
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