I suppose I had these concerns but I really felt that I had to keep my scope very, very concentrated.

Once we were in the studio, we realized we were getting certain effects through the shooting of the dramatic scenes on video, shooting off a screen and then getting wave patterns and stuff like that.

These sorts of things can happen, identities can be switched, the emotional implications are something that he has not been trained to feel. His whole life has been about separating himself from these sorts of...

I think that’s one of the real joys of working with a small budget – that you have to determine exactly what it is that you need and want to say.

Right now my career is totally schizophrenic, because when an American production like Hitchcock Presents asks to see my work I would never dream of showing them my independent films.

Though I am still very vulnerable to audiences – and it happens all the time – where for some reason the energy doesn’t connect and, since the film is very personal, obviously I am made...

I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.

That is where the irony of the film comes off, in terms of the language it employs – where he tries desperately to be a ‘TV Dad,’ to give advice and it’s so pat it...

When we first shot it, something very, very weird happened, and it’s a good example of how things work intuitively or are improvised.

I think ultimately if you have a very high expectation of your audience and you know exactly what it is you’re trying to express through the medium of film, there will always be an audience...

That’s a very odd notion because it involves seeing money up there on the screen – if something cost $5 million to make, they want to see that $5 million up there.

When you make a film like this, you must have the highest expectations of your audience. Having worked in situations where we have the lowest expectations of our audience.

I wanted to make sure that the environment of the shooting itself was not that controlled, and the way to go about that course was to work with as small a crew as possible.

The biggest problem with the independent film sector in Toronto is that they find themselves having to make that budget show on screen.

When you’re working with a smaller budget I suppose one of the things that has to be in your mind when you are writing is that you have to keep the characters down to a...

I’ve just been very, very lucky with the film having been introduced in the right way.

The father’s greatest folly is that he believes he can be a much more simple person than he is; he is not really able to deal with his own complexity as a human being.

You are traveling and see these people shooting the entire experience of going through a city, and maybe in the back of their minds they sustain the illusion that they will edit it all, but...

It is about this very abstract sense of displacement that he feels the moment he turns off the television.

The film camera’s ability to physically move through space, not zoom through space – every time we have a video camera the movement is through zoom; every time we have a film camera it is...

And then of course there is a whole dialogue between the spirit of the film camera, which is something I was focusing on very strongly in the film.

You can talk about Holocaust denial, but it’s really marginal for the most part. What is compelling about the Armenian genocide, is how it has been forgotten.

It was very important that it be done in such a way that it be executed with complete conviction. If I had done it both ways, if I was trying to cover myself in case...

The programme has ended, something has finished, and he has a sense of something having finished its course, and then all of a sudden he turns away and this other thing has just finished its...

As a producer, I think one of the most important decisions you make is not necessarily the material you are working on but the production apparatus that you choose to develop the project with, and...

You have to be able to deploy the themes that you want to address with a minimum of means, otherwise you aren’t going to be able to get it made.

It’s not as though I’m working in some sort of vacuum, I do know exactly what my options are and it is a creative choice to go one way or the other.

The whole film is about people being convinced that they can reduce themselves to their archetypes.

I have always felt that this story is universal. When I began to understand the details of the history, I felt that the most compelling aspect was not what happened, but what continues to happen...

It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values...

My exposure to mainstream forms of production has taught me what I am up against and actually clarified for me where I’d like to go.

There is a certain moment in the film when the son is in the nursing home and he goes to the television and turns it off because he sees himself in the image.

I mean, if you are directing actors to do one thing and then directing them to do something else entirely because the one thing you wanted them to do may not work, then you are...

My parents taught me to believe that through the creative act, we’re able to transcend and give a response to desecration.

These are very subtle things, of course, and I don’t expect everyone to pick them up consciously, but I think that there is something there that you must be able to feel, there is an...