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Michael Richardson  Quotes
In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus...

—Michael Richardson

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ArtCommodityEntertainment
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The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a...

—Michael Richardson

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ArtistAutomatismCreativity
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Equally, the surrealists consider words as witnesses of life acting in a direct way in human affairs. To use words properly it was necessary to treat them with respect, for they were the intermediaries between...

—Michael Richardson

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BretonLanguagePoetry
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As Peret asserts, the value of such stories resides in the fact that they respond to direct social necessity but in a way that is not obvious in a society dominated by what is utilitarian...

—Michael Richardson

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ImaginationPeretStories
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By giving words the latitude she does, (Marianne) Van Hirtum emphasizes their contagious qualities: they become almost like viruses, with which it is necessary to put oneself in harmony by sympathetic magic if one is...

—Michael Richardson

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LanguagePoetrySurrealism
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We can sum up the surrealist distinction between ‘literature’ and ‘poetry’ by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous.

—Michael Richardson

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LiteraturePoetrySurrealism
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Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for different means by which to explore reality itself.

—Michael Richardson

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FantasticFantastiqueFantasy
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The shifting sands of the world… show how much the surrealists were drawn towards an interrogation of what reality actually is. Unlike fabulists of whatever hue, there is a materiality in surrealist writing that resolutely...

—Michael Richardson

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FantasticFantastiqueFantasy
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Refusing what Adorno called that ‘comfort in the uncomfortable’ taken by the fantastic, surrealism seeks to reintegrate man into the universe.

—Michael Richardson

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FantasticFantasySurrealism
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suspension of disbelief’, that beloved criterion of positivist criticism supposedly serving to establish the legitimacy of the fantastic, confirms this hegemony.

—Michael Richardson

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FantasticFantastiqueFantasy
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In this stillness that is at the same time movement, in this darkness that is at the same time light, change is found not in the realm of ideas but in the energizing desire that...

—Michael Richardson

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DesireImaginaryReality
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Surrealism also refuses the representation of reality: reality can only be; its existence proves its reality. Fiction thereby becomes impossible or is, by definition, false.

—Michael Richardson

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FictionRealityRepresentation
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A stubborn refusal of the conditions of 20th Century ‘reality’, surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth....

—Michael Richardson

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LanguageLiteratureMagic
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