You hope and pray that you’ll get involved with a director that you understand and who has the same sensibility as you do and knows how to push you and bring out the best in...

I had always kept a daily journal,

I’ve worked with Robert Altman a couple of times too.

Stanley Kubrick the man turned out to be very gentle,

If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still...

Stanley didn’t shy away from true humanity or from the ugliness that all people are capable of.

It was the baseball fantasy of a lifetime – to be able to sit on the bench with all those professional athletes. I got to take my son along because I wasn’t sure I would...

I always knew I would do something special with my memories of working with Stanley.

My father taught me to paint when I was young with watercolors and so I learned at a very young age the essential elements of the value of light and composition.

That the only person who can save you is yourself. The only person you can really forgive is you.

Photography is about light and what it does and how it is captured on a piece of negative.

Everything is so convenient in New York.

So the thing that’s beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera’s all about composition and all about light.

For example, Michael Mann’s film Collateral – there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.

The experience of using a Rolleiflex camera is very different than using a SLR.

I always thought that it was kind of silly that a baseball card could be worth so much money.

There’s a discipline. When you take someone’s portrait, you don’t have to take 50 photographs, just find that one so that when you release the shutter, that’s the image that you took.

I bought all the stuff, but nothing was as satisfying to me as using the Rolleiflex because it was one shot.

They don’t have the news media set up in Africa that we do in the United States, where televisions are so accessible and newspapers and magazines are able to educate people.

I don’t think that digital photography is romantic yet. It’s not sympathetic the way that film is.

Think of Frank Capra and Preston Sturges. They used the same actors over and over again.

My diary is a kind of heart-of-darkness story, both (his character) Private Joker’s story and my story of a young man leaving his home and his country and going to meet this very unexpected experience.

I never set out to be rich and famous. I wanted to follow my own path.