[…] a familiar art historical narrative […] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. […] In fact, a common trope within the modernist tradition...
—Grant H.
This assumption of the intrinsically repressive nature of collective experience and redemptive power of individuation is a staple of contemporary art theory and criticism. I would argue that a closer analysis of collaborative and collective...
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