I saw the original that Gela Babluani wrote and directed called ’13 Tzameti,’ and that was very interesting. I believe it was a French film, and I was just intrigued by the awkwardness; the off-beatness...

Art has to be reflective of our society.

People are complicated. People have secrets. It doesn’t make them good people or bad people.

Part of an actor’s job, in my opinion, is adjust to the characteristics of the director and try to understand to how he tries to work.

To get into another person’s mindset and what they are trying to do with their project is a challenge, and it is what I like.

There’s not too many things I’m afraid of, but I’m not too brave when it comes to sitting in a chair getting my teeth drilled.

Working on ‘Dexter’ is like shooting one big movie every year.

You just see a good project and want to be involved in it, and that’s what ‘Dexter’ was.

As an actor, I’ve always found that my job is not to judge the content in which I’ve agreed to perform in. What I try to do is just find the truth in every moment...

I love it and it is a blessing to be able to have seventy-five to eighty episodes to develop a character and find your voice. You have a similar through voice, and yet you are...