I conduct faster so you can see my beat.

During the rests – pray.

Suddenly I was in the right tempo – but it wasn’t.

With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.

More basses, because you are so far away.

That’s right, play it louder.

Start at B. Yes. No. Yes. No.

Don’t think you are looking at me because you are not.

Yes, the mutes are already on. You took them off in the beginning.

If you don’t have it in your part, leave it out, because there is enough missing already.

It has no rhythm, but it will because it’s so much faster.

Even when you are not playing you are holding me back.

It’s not important. It’s only important when it’s late.

I told him he’d have a heart attack a year ago, but unfortunately he lived a year longer. [On the occasion of the death of David Oistrakh]

I don’t mean to make you nervous, but unfortunately I have to.

Let’s start at 35 because I don’t know where it is.

I can conduct better than I count.

I can see none of you are smugglers, that’s why it’s so loud.

Brass, stay down all summer.

Without him here, it is impossible to know how fast he will play it, approximately.

Let me explain what I do here. I don’t want to confuse you any more than absolutely necessary.

Watch me closely – only one can spoil it.

Think of your girlfriend or boyfriend or whomever you want to.

Who is sitting in that empty chair?

That was perfect. It was just the opposite from what I said yesterday.

There is a number missing. I can see it.

I always feel I do it too slow, but then others do it faster.

This is one bar you should take home.

After two minutes after this time, and I am already there.