Yeah, well, that’s just, like, your opinion, man.
I'll be a story in your head. That's okay. We're all stories in the end. Just make it a good one, eh? 'Cause it was, you know. It was the best. The daft old man who stole a magic box and ran away. Did I ever tell you that I stole it? Well I borrowed it. I was always going to take it back.
Fortune favours the brave, sir," said Carrot cheerfully."Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?""Oh, no–one's ever heard of Fortune favouring them, sir.""According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'""Sounds like a clever man," said Jenkins. He pointed to the yellow horizon."See all that stuff in the air?" he said. "What do you think that is?""Mist?" said Vimes."Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air.""Oh.""And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?""I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'""That's a lot of help," said Jenkins.Vimes slipped the book into a pocket."So, Constable Visit, there's a god on our side, is there?""Certainly, sir.""But probably also a god on their side as well?""Very likely, sir. There's a god on every side.""Let's hope they balance out, then.
Yeah, well," I say, "I left Abnegation because I wasn't selfless enough, no matter how hard I tried to be.""That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me-that selfless girl, that's not you?"..."You've been paying close attention, haven't you?""I like to observe people/""Maybe you were cut out for Candor, Four, because you're a terrible liar.
To your request of my opinion of the manner in which a newspaper should be conducted, so as to be most useful, I should answer, ‘by restraining it to true facts & sound principles only.’ Yet I fear such a paper would find few subscribers. It is a melancholy truth, that a suppression of the press could not more compleatly deprive the nation of its benefits, than is done by its abandoned prostitution to falsehood. Nothing can now be believed which is seen in a newspaper. Truth itself becomes suspicious by being put into that polluted vehicle. The real extent of this state of misinformation is known only to those who are in situations to confront facts within their knolege with the lies of the day. I really look with commiseration over the great body of my fellow citizens, who, reading newspapers, live & die in the belief, that they have known something of what has been passing in the world in their time; whereas the accounts they have read in newspapers are just as true a history of any other period of the world as of the present, except that the real names of the day are affixed to their fables. General facts may indeed be collected from them, such as that Europe is now at war, that Bonaparte has been a successful warrior, that he has subjected a great portion of Europe to his will, &c., &c.; but no details can be relied on. I will add, that the man who never looks into a newspaper is better informed than he who reads them; inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods & errors. He who reads nothing will still learn the great facts, and the details are all false.”—Letter to John Norvell, 14 June 1807[Works 10:417--18]
You have to pick your poison. We just tried to stay up on the shooters and not sag as much on the inside. Dials did hurt us, but he didn't beat us. On that day, they missed some shots that I think were contested. And I think they missed some shots that weren't. They weren't on a hot streak like they are now. They were still shooting well. But, lately, they've been on just a barrage. Bruce (Weber) has one of the best defensive teams in the league, and if they can do that to Illinois, that's scary.
Gran, for the gods' love, it's talk like yours that starts riots!" I said keeping my voice down. "Will you just put a stopper in it?"She looked at me and sighed. "Girl, do you ever take a breath and wonder if folk don't put out bait for you? To see if you'll bite? You'll never get a man if you don't relax."My dear old Gran. It's a wonder her children aren't every one of them as mad as priests, if she mangles their wits as she mangles mine."Granny, "I told her, "this is dead serious. I can't relax, no more than any Dog. I'm not shopping for a man. That's the last thing I need.
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
You fight your superficiality, you shallowness, as as to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untank-like as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong, you might as well have the brain if a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and them you go home to tell somebody else about the meeting and you get them wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception an astonishing farce of misperception. And yet what are we to do about this terribly significant business of other people, which gets bled of the significance we think it has and takes on instead a significance that is ludicrous, so ill equipped are we all to envision one another's interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words, and then proposing that there word people are closer to the real thing than we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful consideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that - well, lucky you.
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.
Oh, come on, just this once," Eve said. "Protects your neck. As in your arteries and veins?That's kind of crucial, right?""Thanks for the thought, but it doesn't go with my shoes.""You're seriously going to worry about what people think right now?""No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey."Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you."Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
You okay?""Fine.""Your heart's beating really fast.""Gee, thanks. That's very comforting that you can hear it."He smiled, and it was the old Michael, the one she'd first met before all the vamp stuff."Yeah, I know it is. Sorry. Just stay behind me if there's trouble.""You sound like Shane.""Well, he did say he'd kill me if I got you hurt. I'm just looking after my own neck.""Liar.
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that's wonderful.
Don't you ever feel like, what if the world really IS messed up? What if we COULD Do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework.'m listening. Annabeth: I mean, the West represents a lot of the best things mankind ever did--that's why the fire is still burning. That's why OlympusIs still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: 'If I could tear this all down, i would do it better.'. Don't you ever feel that way? Like YOU could do a better job I'd you ran the world?Percy:Um...no. Me running the world would be kind of a nightmare. Annabeth: then you're lucky. Hubris isn't your fatal flaw.Percy: what is?Annabeth: I don't know, Percy, but every hero has one. If you don't find it and learn to control it...well, they don't call it 'fatal' for nothing. Percy(thinking to himself): I thought about that. It didn't exactly cheer me up.
You know how when you step on court your coach is like "go go go!"? And all throughout you just keep telling yourself to hit harder and harder and keep at it? You know how much you treasure those five-minute timeouts? You know how good you feel at the end of a session? You know how you're glad you're tired? No pills, no shots, just plain energy. I want to work like that. Whether I have to write ten thousand words or send five hundred emails, brainstorm for hours at a time, I want to have that energy. To keep fighting. To know it's all worth it. Oh, yeah. That's my perfect day.