Yeah, but Walter…
Out of all the ridiculous religion stories - which are greatly, wonderfully ridiculous - the silliest one I've ever heard is, 'Yeah, there's this big, giant universe, and it's expanding, and it's all going to collapse on itself, and we're all just here, just 'cuz. Just 'cuz.' That to me, is the most ridiculous explanation ever.
In other words, Hitler's soul life was not mature enough at that moment to maintain an awareness of himself and his surroundings when this alien entity entered him. During the following six months during a series of irregular meetings and discussions with Hitler, Walter Stein was to witness a maturing soul development in this enigmatic character through which he became more and more a conscious and responsive tool of the world-shattering purposes of the demonic Spirit which overshadowed him. 'I move like a sleep-walker where Providence dictates,' said Adolf Hitler at a press interview.
A lot of things I have turned down ended up being a big embarrassment. Like that script, 'The Beaver.' I thought that was one of the worst scripts I had ever read. But everyone said, 'Ooh it's on the Black List.' Yeah, well, good for it. They're a bunch of idiots. I saw the final film, and there were no surprises.
Keesha looked at me for a long time. "I did leave you alone. We all did. But you didn't get better. You didn't stop. You're still doin' all your weird shit. And I think it's time to stop.""You think it's time to stop!" I exploded, and lunged at her with my hands outstretched. I pushed her real hard. She almost fell down. "I don't care what time you think it is!" I screamed. "Do you think I want to do this! Do you think I like it?""You pushed me!""Yeah. So what?""You're so afraid of being interrupted that you pushed me!""I'm not scared of being interrupted, you jerk! I'm . . . I'm scared . . . I'm scared of being." I crumpled into a ball and sat down where I was standing. I sat on a crack. Unevenly."Who are you anymore, Tara?"Tears spilled over my frozen lashes and disappeared across my cheekbones. I had never felt so defeated. "I don't know.
It is the fate of great achievements, born from a way of life that sets truth before security, to be gobbled up by you and excreted in the form of shit. For centuries great, brave, lonely men have been telling you what to do. Time and again you have corrupted, diminished and demolished their teachings; time and again you have been captivated by their weakest points, taken not the great truth, but some trifling error as your guiding principal. This, little man, is what you have done with Christianity, with the doctrine of sovereign people, with socialism, with everything you touch. Why, you ask, do you do this? I don't believe you really want an answer. When you hear the truth you'll cry bloody murder, or commit it. … You had your choice between soaring to superhuman heights with Nietzsche and sinking into subhuman depths with Hitler. You shouted Heil! Heil! and chose the subhuman. You had the choice between Lenin's truly democratic constitution and Stalin's dictatorship. You chose Stalin's dictatorship. You had your choice between Freud's elucidation of the sexual core of your psychic disorders and his theory of cultural adaptation. You dropped the theory of sexuality and chose his theory of cultural adaptation, which left you hanging in mid-air. You had your choice between Jesus and his majestic simplicity and Paul with his celibacy for priests and life-long compulsory marriage for yourself. You chose the celibacy and compulsory marriage and forgot the simplicity of Jesus' mother, who bore her child for love and love alone. You had your choice between Marx's insight into the productivity of your living labor power, which alone creates the value of commodities and the idea of the state. You forgot the living energy of your labor and chose the idea of the state. In the French Revolution, you had your choice between the cruel Robespierre and the great Danton. You chose cruelty and sent greatness and goodness to the guillotine. In Germany you had your choice between Goring and Himmler on the one hand and Liebknecht, Landau, and Muhsam on the other. You made Himmler your police chief and murdered your great friends. You had your choice between Julius Streicher and Walter Rathenau. You murdered Rathenau. You had your choice between Lodge and Wilson. You murdered Wilson. You had your choice between the cruel Inquisition and Galileo's truth. You tortured and humiliated the great Galileo, from whose inventions you are still benefiting, and now, in the twentieth century, you have brought the methods of the Inquisition to a new flowering. … Every one of your acts of smallness and meanness throws light on the boundless wretchedness of the human animal. 'Why so tragic?' you ask. 'Do you feel responsible for all evil?' With remarks like that you condemn yourself. If, little man among millions, you were to shoulder the barest fraction of your responsibility, the world would be a very different place. Your great friends wouldn't perish, struck down by your smallness.
The longer Ellen Cherry thought about it, the more convinced she became that the mission of the artist in an overtechnologized, overmasculinized society was to call the old magic back to life.Could it be done? Yeah, you pessimistic wimps, it could. Could she do it? Probably not, but she could give it a whirl.
I thought he should know the truth."Some say that I'm a ... well a ..." I hated to say what others teased me mercilessly about... "A... slow learner."He shrugged as if to indicate that it didn't mean anything to him, but seemed anxious about what to say to console me. Finally, he reached out and touched my hand. "Yeah, but they don't have life mates whose destines are written in the stars." I wanted to groan out loud. I was a slow learner and was to be mated with a vampiric human whose old flame wanted me dead. How was this a good thing?
Are You Ready for New Urban Fragrances?Yeah, I guess I'm ready, but listen:Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.I want to travel on a train that smells like snowflakes.I want to sip in cafes that smell like comets.Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.I want to carry luggage that reeks of the neurons in Einstein's brain.I want a city's gases to smell like the golden belly hairs of the gods.And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
So...Now that we got that over with, let's get back to love at first sight, Evan said. Not infatuation at first sight...Love. With a capital L, he clarified.Love? Heeb asked, playfully pretending not to know the concept.Yeah. The real thing. The conviction that if you had this one woman, all other women would become irrelevant. You'd never again be unhappy And you'd give up anything to have her and keep her.You've experienced that?Only once. And I haven't stopped thinking about it ever since.Tell me more.Sometimes I think that I still chase women just to forget about her. Because I know I can never have her. But I can't seem to forget about her, no matter what girl I'm chasing...No one can possibly compare....Who is she?Delilah, Evan said wistfully.Delilah?, asked Heeb, intriguedDelilah Nakova, Evan replied, with a hint of awe and reverence in his voice.
Angel Bob: Doctor? Excuse me, hello, Doctor? Angel Bob here, sir. The Doctor: Ah, there you are, Angel Bob. How's life? Sorry, bad subject. Angel Bob: The Angels are wondering what you hope to achieve. The Doctor: Achieve? We're not achieving anything. We're just hanging, it's nice in here: consoles; comfy chairs; a forest... how's things with you? Angel Bob: The Angels are feasting, sir. Soon we will be able to absorb enough power to consume this vessel, this world, and all the stars and worlds beyond. The Doctor: Yeah, but we've got comfy chairs. Did I mention? Angel Bob: We have no need for comfy chairs. The Doctor: [amused] I made him say 'comfy chairs'.
River Song: Use the stabilisers! The Doctor: It doesn't have stabilisers! River Song: The blue switches! The Doctor: The blue ones don't do anything, they're just... blue! River Song: Yes they're blue: they're the blue stabilisers! [presses the button and the TARDIS indeed stabilises] See? The Doctor: Yeah? Well, it's boring now, isn't it? They're boring-ers! They're blue... boring-ers! Amy: Doctor, how come she can fly the TARDIS? The Doctor: You call that flying the TARDIS? [scoffs] Ha! River Song: Okay, I've mapped the probability vectors, done a foldback on the temporal isometry, charted the ship to its destination and... [presses a button, the cloister bell clangs] parked us right alongside. The Doctor: Parked us? But we haven't landed! River Song: Of course we've landed; I just landed her. The Doctor: But it didn't make the noise. River Song: What noise? The Doctor: You know, the... [does an impression of the TARDIS materialisation sound] River Song: It's not supposed to make that noise. You leave the brakes on.The Doctor: Yes, well, it's a brilliant noise. I love that noise.
Ichigo: You got that? Huh?! I'm the rescuer, so you just SHUT UP!!Rukia: Wha--wha'd you say? A rescuer isn't supposed to ignore the rescuee!Ichigo: Yeah? And what kind of rescuee complains about the rescue!? Why don't you go sit in a corner and tremble in fear and cry out "Save me! Save me!" like you're supposed to?!Rukia: I do not need saving, and I do NOT tremble!
The second rule of improvisation is not only to say yes, but YES, AND. You are supposed to agree and then _add something of your own._ If I start a scene with 'I can't believe it's so hot in here,' and you just say, 'Yeah...' we're kind of at a stand-still. But if I say, 'I can't believe it's so hot in here,' and you say, 'What did you expect? We're in hell.' Or if I say, 'I can't believe it's so hot in here,' and you say, 'Yes, this can't be good for the wax figures.' Or if I say, 'I can't believe it's so hot in here,' and you say, 'I told you we shouldn't have crawled into this dog's mouth,' now we're getting somewhere.
So then it's a matter of, do you want to make movies? Yeah. Then you're going to make scary movies. So it was like, how do I make the best scary movies I can, movies I would like to see? I never went out of my way to make a single one. I don't particularly like them. My conviction is that I can do any kind of film.
Yeah, I think that a play is a huge commitment, and I think that what it requires of you is a lot, so it really makes you dig in and find things, and it just makes you sharp, 'cause it's live. Really, to me, it separates the men from the boys. I always say it's like the frontlines of acting, when you're on stage.
War, Nobby. Huh! What is it good for?" he said. "Dunno, Sarge. Freeing slaves, maybe?""Absol—well, okay." "Defending yourself against a totalitarian aggressor?""All right, I'll grant you that, but—""Saving civilization from a horde of—" "It doesn't do any good in the long run is what I'm saying, Nobby, if you'd listen for five seconds together," said Fred Colon sharply. "Yeah, but in the long run, what does, Sarge?